Philip Roth Bibliography - Criticism

Criticism

  • Glenn Meeter, Bernard Malamud and Philip Roth: A Critical Essay, Grand Rapids: Eerdsmans, 1968
  • John N. McDaniel, The Fiction of Philip Roth, Haddonfield, NJ: Haddonfield House, 1974
  • Sanford Pinsker, The Comedy That "Hoits": An Essay on the Fiction of Philip Roth, Columbia: University of Missouri Press, 1975
  • Bernard F. Rodgers Jr., Philip Roth, Boston: Twayne, 1978
  • Judith Paterson Jones e Guinevera A. Nance, Philip Roth, New York: Ungar, 1981
  • Sanford Pinsker (ed.), Critical Essays on Philip Roth, Boston: Hall, 1982
  • Herminone Lee, Philip Roth, New York: Methuen, 1982
  • George J. Searles, The Fiction of Philip Roth and John Updike, Carbondale: Southern Illinois U.P., 1985
  • Harold Bloom (ed.), Philip Roth, Modern Critical Views, New York: Chelsea House, 1986; new ed. 2003
  • Asher Z. Milbauer e Donald G. Watson (eds.), Reading Philip Roth, New York: St. Martin's Press, 1988
  • Murray Baumgarten e Barbara Gottfried, Understanding Philip Roth, Columbia: University of South Carolina Press, 1990
  • Jay L. Halio, Philip Roth Revisited, New York: Twayne, 1992
  • Alan Cooper, Philip Roth and the Jews, Albany: SUNY Press, 1996
  • Stephen Wade, Imagination in Transit: The Fiction of Philip Roth, Sheffield: Sheffield Academic Press, 1996
  • Stephen Milowitz, Philip Roth Considered: The Concentrationary Universe of the American Writer, New York: Garland Press, 2000
  • Jay L. Halio (ed.), Philip Roth, special issue of Shofar, 19, 1, 2000
  • Nandita Singh, Philip Roth: A Novelist in Crisis, New Delhi: Classical Publishing, 2001
  • André Bleikasten, Philip Roth: Les ruses de la fiction, Paris: Belin, 2001
  • Paule Lévy e Ada Savin (eds.), Profils Américains: Philip Roth, Université Paul-Valéry Montpellier III: CERCLA, 2002
  • Mark Shechner, Up Society's Ass, Copper: Rereading Philip Roth, Madison: University of Wisconsin Press, 2003
  • Debra Shostak, Philip Roth - Countertexts, Counterlives, Columbia, SC: University of South Carolina Press, 2004
  • Harold Bloom (ed.), Portnoy's Complaint: Modern Critical Interpretations, Modern Critical Views, New York: Chelsea House, 2004
  • Derek Parker Royal (ed.), Philip Roth's America: The Later Novels, special issue of Studies in American Jewish Literature, 23, 2004
  • Yanyu Zeng, Towards Postmodern Multiculturalism: A New Trend of African-American and Jewish American Literature Viewed through Ishmael Reed and Philip Roth, Xiamen: Xiamen U.P., 2004
  • Manuel Gogos, Philip Roth & Söhne: Zum jüdischen Familienroman, Hamburg: Philo, 2005
  • Jay L. Halio e Ben Siegel, Turning Up the Flame: Philip Roth's Later Novels, Newark, DE: University of Delaware Press, 2005
  • Derek Parker Royal (ed.), Philip Roth: New Perspectives on an American Author, Westport, CT: Greenwood-Praeger, 2005
  • Elaine B. Safer, Mocking the Age: The Later Novels of Philip Roth, Albany: State University of New York Press, 2006
  • Till Kinzel, Die Tragödie und Komödie des amerikanischen Lebens: Eine Studie zu Zuckermans Amerika in Philip Roths Amerika-Trilogie, Heidelberg: Universitätsverlag Winter GmbH Heidelberg, 2006
  • Ross Posnock, Philip Roth's Rude Truth: The Art of Immaturity, Princeton: Princeton U.P., 2006
  • Dean J. Franco (ed.), Roth and Race, special issue of Philip Roth Studies, 2, 2, 2006
  • Timoty Parrish (ed.), The Cambridge Companion to Philip Roth, Cambridge U.P., 2007
  • David Brauner, Philip Roth, Manchester: Manchester U.P., 2007
  • Aimée Pozorski and Miriam Jaffe-Foger (eds.), Mourning Zuckerman, special issue of Philip Roth Studies, 5, 2, 2009
  • Balbir Singh, The Early Fiction of Philip Roth New Delhi: Omega Publications, 2009
  • Ben Siegel and Jay L. Halio (eds.), Playful and Serious: Philip Roth as Comic Writer, Newark, DE: University of Delaware Press, 2010
  • Aimée Pozorski, Roth and Trauma: The Problem of History in the Later Works (1995-2010), New York, NY: Continuum Press, 2012

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Famous quotes containing the word criticism:

    “I, with other Americans, have perhaps unduly resented the stream of criticism of American life ... more particularly have I resented the sneers at Main Street. For I have known that in the cottages that lay behind the street rested the strength of our national character.”
    —Herbert Hoover (1874–1964)

    “The aim of all commentary on art now should be to make works of art—and, by analogy, our own experience—more, rather than less, real to us. The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”
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    “I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
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