The Philadelphia Museum of Art is among the largest art museums in the United States. It has collections of more than 227,000 objects that include "world-class holdings of European and American paintings, prints, drawings and decorative arts." The Main Building is visited by more than 800,000 people annually, and is located at the west end of Philadelphia's Benjamin Franklin Parkway.
Other museum sites include the Rodin Museum, also located on the Benjamin Franklin Parkway; the Ruth and Raymond G. Perelman Building, across the street from the Main Building; and historic houses in Fairmount Park. The Perelman Building opened in 2007, and houses some of the more popular collections, as well as the Museum's library, with over 200,000 books and periodicals, and 1.6 million other documents.
The museum is closed on Mondays, and the basic entrance price is $20, with various concessions. The museum holds a total of about 25 special exhibitions every year, including touring exhibitions arranged with other museums in the United States and abroad. Some have an extra charge for entrance.
Read more about Philadelphia Museum Of Art: History, Collections, Collection Highlights - Paintings, Gallery Expansion, Special Exhibitions, Relationship To Philadelphia
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“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)
“It used to be said that, socially speaking, Philadelphia asked who a person is, New York how much is he worth, and Boston what does he know. Nationally it has now become generally recognized that Boston Society has long cared even more than Philadelphia about the first point and has refined the asking of who a person is to the point of demanding to know who he was. Philadelphia asks about a man’s parents; Boston wants to know about his grandparents.”
—Cleveland Amory (b. 1917)
“To look at and properly appreciate the British Museum is the work of a lifetime.”
—M. E. W. Sherwood (1826–1903)
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)