Petrus Schaesberg - Books

Books

  • Louise Bourgeois: The Secret of the Cells, Prestel, Munich-Berlin-London-New York, 2008, pp. 167
  • Das aufgehobene Bild. Collage als Modus der Malerei von Pablo Picasso bis Richard Prince. Muenchen: Wilhelm Fink Verlag, 2007, 220 pages.
  • Ed. (with contribution): Stanley Kubrick. Still Moving Pictures. Fotografien 1945-50

Regensburg: Verlag Schnell & Steiner, Edition ICCARUS, 1999, 232 pages (with Rainer Crone)

  • Edited: Stanley Kubrick. Still Moving Pictures. Photographies 1945-50

(revised French edition) Paris: Edition ICCARUS / FNAC, 1999, 230 pages (with Rainer Crone)

  • Edited (with introduction, p. 9-19): Paul Klee und Edward Ruscha. Projekt der Moderne. Sprache und Bild..Regensburg: Schnell & Steiner, Edition ICCARUS, 1998, 256 pages

With essays by Rainer Crone, Joseph Leo Koerner and Alexandra Gräfin Stosch

  • Louise Bourgeois: The Secret of the Cells (co-authored with Rainer Crone)

New York: Prestel Verlag 1998, 160 pages

  • Louise Bourgeois: Das Geheimnis der Zelle. (co-authored with Rainer Crone)

Munich: Prestel Verlag, 1998, 160 pages

  • Lyrische Lebenswelten. Die Malerei von Nikolaus Hipp.

Lyrical Worlds. The paintings of Nikolaus Hipp. Regensburg: Schnell & Steiner, Edition ICCARUS, 1998 (German and English edition), 128 pages (with Rainer Crone and a foreword by Gabriela Habsburg)

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    And I saw the dead, small and great, stand before God; and the books were opened: and another book was opened, which is the book of life: and the dead were judged out of those things which were written in the books, according to their works.
    Bible: New Testament Revelation 20:12.

    Some time ago a publisher told me that there are four kinds of books that seldom, if ever, lose money in the United States—first, murder stories; secondly, novels in which the heroine is forcibly overcome by the hero; thirdly, volumes on spiritualism, occultism and other such claptrap, and fourthly, books on Lincoln.
    —H.L. (Henry Lewis)

    For books are not absolutely dead things, but do contain a potency of life in them to be as active as that soul was whose progeny they are; nay, they do preserve as in a vial the purest efficacy and extraction of that living intellect that bred them. I know they are as lively, and as vigorously productive, as those fabulous dragon’s teeth; and being sown up and down, may chance to spring up armed men.
    John Milton (1608–1674)