Peter Solis Nery - Transition

Transition

While working as a religious missionary in Macau, Peter became more introspective and started his memoirs. The Essential Thoughts of a Purple Cat was published by Giraffe Books in 1996; Moon River, Butterflies and Me in 1997; and My Life as a Hermit again by Giraffe in 1998. In 1995, he won the NCCA Western Visayas Poetry Competition for his collection Umanhon nga Gugma (Love of the Rural Folks). Some of the poems were translated, reworked, and included in his provocative collection, Rated R (Giraffe Books, 1997).

Peter published four titles in 1997: the playful poetry collection Shy Evocations of Childhood and Other Poems that Came under Hypnosis, and Rated R for Giraffe; Shorts, a collection of haiku-like poems, and the memoir Moon River, Butterflies and Me for New Day.

He won his first Palanca gold medal for his magical realist Hiligaynon Short Story Lirio about a deaf-mute who is a victim of marital rape. Furthermore, his first screenplay, Buyong, about a Katipunero revolutionary from Aklan won third prize in the screenplay category of the Centennial Literary Prize. Later that year, his second screenplay, Tayo na sa Buwan (Let’s Go to the Moon), won an honorable mention at the Film Development Foundation of the Philippines.

Eventually, he started his own publishing company and produced A Loneliness Greater than Love (2000), an exploration of homoerotic themes; and Fantasia (2000), a collection of his Palanca-winning fiction. In 2001, he published Rain as Gentle as Tears, a sequel to his 1997 Shorts collection, and The Prince of Ngoyngoy (The Prince of Sob), a collection of lyric poems in Hiligaynon that established Peter as the Ilonggo epitome of emotional poetry.

In 2003, he launched Pierre: The Magazine of Peter Solis Nery. It delivered three monthly issues.

When opportunity came in 2006, he went to the United States to work as a nurse. For 100 days in 2005, Peter endeavored to write 100 erotic sonnets in Hiligaynon. He called it Kakunyag (Thrill). It was launched during the National Arts Month 2006 in Iloilo, and was serialized in a newspaper. He won a Palanca in 2006 for his Hiligaynon psycho-thriller short story, Ang Kapid (The Twins). The win provided him another encouragement to persevere in writing in the Hiligaynon. In 2007, Peter won his second Palanca gold for his historical Hiligaynon Short Story Candido, about the anting-anting (amulet) of the revolutionary Candido Iban. The following year, he won his third Palanca gold for his play in English, The Passion of Jovita Fuentes, about the tragic love of the first Filipino international opera diva and first female National Artist in Music. Peter also completed translation of his 100 Erotic Sonnets in the Hiligaynon into English in 2008.

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    A transition from an author’s books to his conversation, is too often like an entrance into a large city, after a distant prospect. Remotely, we see nothing but spires of temples, and turrets of palaces, and imagine it the residence of splendor, grandeur, and magnificence; but, when we have passed the gates, we find it perplexed with narrow passages, disgraced with despicable cottages, embarrassed with obstructions, and clouded with smoke.
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