Peter Corris - The Cliff Hardy Novels

The Cliff Hardy Novels

As crime novelist, Corris is best known his Cliff Hardy series:

  • The Dying Trade (First published in Sydney, by Pan Books, 1980) ISBN 978-0-330-27020-5 *
  • White Meat (Sydney, Pan Books, 1981) ISBN 978-0-330-27018-2 *
  • The Marvelous Boy (Sydney, Pan Books, 1982) ISBN 978-0-330-27019-9 *
  • The Empty Beach (First published in Sydney, Australia, by Allen & Unwin, 1983) ISBN 978-0-86861-229-4 **
  • Heroin Annie and other Cliff Hardy stories (Sydney, Allen & Unwin, 1984) ISBN 978-0-04-820022-8 **
  • The Big Drop and other Cliff Hardy Stories (Sydney, Allen & Unwin, 1985) ISBN 978-0-86861-767-1**
  • Make Me Rich (Sydney, Allen & Unwin, 1985) ISBN 978-0-86861-660-5 **
  • Deal Me Out (Sydney, Allen & Unwin, 1986) ISBN 978-0-86861-978-1 **
  • The Greenwich Apartments (Sydney, Allen & Unwin, 1986) ISBN 978-0-04-820030-3 **
  • The Cliff Hardy Omnibus (1988)(Sydney, Allen & Unwin, 1988) ISBN 0-04-378010-5 **
  • The January Zone (Sydney, Allen & Unwin, 1987) ISBN 978-0-04-200050-3 **
  • The Man in the Shadows (Sydney, Allen & Unwin, 1988) ISBN 978-0-04-320226-5 **
  • Man in the Shadows and Other Stories (Sydney, Allen & Unwin, 1988) ISBN 0-04-320226-8 **
  • O'Fear (First published in Sydney, Australia, by Bantam Books, 1990) ISBN 978-0-947189-73-0 ***
  • Aftershock (Sydney, Bantam, 1991) ISBN 1-86359-028-5***
  • Wet Graves (Sydney, Bantam, 1991) ISBN 1-86359-025-0***
  • Beware of the Dog (Sydney, Bantam, 1992) ISBN 1-86359-054-4***
  • Burn: And Other Stories (Sydney and New York, Bantam, 1993) ISBN 1-86359-069-2***
  • Matrimonial Causes (Sydney, Bantam, 1993) ISBN 1-86359-077-3***
  • Casino (Sydney, Bantam, 1994) ISBN 1-86359-113-3***
  • Forget Me If You Can: Cliff Hardy Stories (Sydney, Bantam, 1997) ISBN 0-7338-0066-1***
  • The Washington Club (Sydney, Bantam, 1997) ISBN 0-7338-0031-9***
  • The Reward (Sydney, Bantam, 1997) ISBN 0-7338-0070-X***
  • The Black Prince (Sydney, Bantam, 1998) ISBN 1-86325-132-4***
  • The Other Side of Sorrow (Sydney, Bantam, 1999) ISBN 1-86325-185-5***
  • Lugarno (Sydney, Bantam, 2001) ISBN 1-86325-298-3***
  • Salt and Blood (Sydney, Bantam, 2002) ISBN 1-86325-374-2***
  • Master's Mates (Sydney, Allen & Unwin, 2003) ISBN 1-74114-136-2**
  • The Coast Road (Sydney, Allen & Unwin, 2004) ISBN 1-74114-384-5**
  • Taking Care of Business (Sydney, Allen & Unwin, 2004) ISBN 1-74114-419-1**
  • Saving Billie (Sydney, Allen & Unwin, 2004) ISBN 1-74114-652-6**
  • The Undertow (Sydney, Allen & Unwin, 2006) ISBN 978-1-74114-748-3**
  • Appeal Denied (Sydney, Allen & Unwin, 2007) ISBN 978-1-74175-096-6**
  • The Big Score: Cliff Hardy Cases (Sydney, Allen & Unwin, 1991) ISBN 978-1-74175-223-6 **)
  • Open File (Sydney, Allen & Unwin, 2008) ISBN 978-1-74175-417-9**(2009)
  • Deep Water (Sydney, Allen & Unwin, 2010) ISBN 978-1-74175-677-7**(2009)
  • Torn Apart (Sydney, Allen & Unwin, 01/2010) ISBN 978-1-74237-139-9**(01/2010)
  • Follow the Money (Sydney, Allen & Unwin, 01/2011) ISBN 978-1-74237-379-9**(01/2010)
  • Comeback (Sydney, Allen & Unwin, 01/2012) ISBN 978-1-74237-724-7**(10/2011)




Read more about this topic:  Peter Corris

Famous quotes containing the words cliff, hardy and/or novels:

    It looked as if
    The shore was lucky in being backed by cliff,
    The cliff in being backed by continent;
    It looked as if a night of dark intent
    Was coming, and not only a night, an age.
    Robert Frost (1874–1963)

    And such are we—
    Unreasoning, sanguine, visionary—
    That I can hope
    Health, love, friends, scope
    In full for thee; can dream thou’lt find
    Joys seldom yet attained by humankind!
    —Thomas Hardy (1840–1928)

    An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.
    George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)