Works
Brown, who reads at least fifteen languages, established himself at the age of 32 with his biography of Augustine of Hippo. A steady stream of books and articles has since appeared, and currently, Brown is arguably the most prominent historian of late antiquity. Brown has been instrumental in popularizing late antiquity, the figure of the "holy man" and the study of the cult of the saints.
In his book The World of Late Antiquity (1971), he put forward a new interpretation of the period between the third and eighth centuries CE. The traditional interpretation of this period was centered around the idea of decadence from a 'golden age', classical civilization, after the famous work of Edward Gibbon The History Of The Decline And Fall Of The Roman Empire (1779). On the contrary, Brown proposed to look at this period in positive terms, arguing that Late Antiquity was a period of immense cultural innovation.
Brown was influenced in his early works by the French Annales School, and specifically the figure of Fernand Braudel. Following this school, Brown analyzed culture and religion as social phenomena and as part of a wider context of historical change and transformation. The Annales influence in Brown's work can also be seen in his reliance on anthropology and sociology as interpretative tools for historical analysis. Specifically, Brown received the influence of contemporary Anglo-American anthropology.
His research has been devoted chiefly to religious transformation in the late Roman world. His most celebrated early contribution on this subject concerned the figure of the 'holy man'. According to Brown, the charismatic, Christian ascetics (holy men) were particularly prominent in the late Roman empire and the early Byzantine world as mediators between local communities and the divine. This relationship expressed the importance of patronage in the Roman social system, which was taken over by the Christian ascetics. But more importantly, Brown argues, the rise of the holy man was the result of a deeper religious change that affected not only Christianity but also other religions of the late antique period - namely the needs for a more personal access to the divine.
His views slightly shifted in the eighties. In articles and new editions Brown said that his earlier work, which had deconstructed many of the religious aspects of his field of study, needed to be reassessed. His later work shows a deeper appreciation for the specifically Christian layers of his subjects of study. His book The Body and Society (1988) offered an innovative approach to the study of early Christian practices, showing the influence of Pierre Hadot and Michel Foucault's work on the history of sexuality, though Brown's earlier work had been acknowledged by Foucault as a major influence on his work on Ancient themes.
His current research focuses on wealth and poverty in late antiquity, especially in Christian writers.
Read more about this topic: Peter Brown (historian)
Famous quotes containing the word works:
“Reason, the prized reality, the Law, is apprehended, now and then, for a serene and profound moment, amidst the hubbub of cares and works which have no direct bearing on it;Mis then lost, for months or years, and again found, for an interval, to be lost again. If we compute it in time, we may, in fifty years, have half a dozen reasonable hours.”
—Ralph Waldo Emerson (1803–1882)
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)
“You are always looking for already-felt emotions, just as you like to get an old pair of trousers back from the cleaners, which seem new when you don’t look too closely. Artists are cleaners, don’t let yourself be taken in by them. True modern works of art are made not by artists but quite simply by men.”
—Francis Picabia (1878–1953)