Persian mythology are traditional tales and stories of ancient origin, all involving extraordinary or supernatural beings. Drawn from the legendary past of the Iranian cultural continent which especially consists of the state of Iran, Afghanistan, Tajikistan and Central Asia, they reflect the attitudes of the society to which they first belonged - attitudes towards the confrontation of good and evil, the actions of the gods, yazats (lesser gods), and the exploits of heroes and fabulous creatures. Myths play a crucial part in Iranian culture and our understanding of them is increased when we consider them within the context of Iranian history.
For this purpose we must ignore modern political boundaries and look at historical developments in the Greater Iran, a vast area covering parts of Central Asia well beyond the frontiers of present-day Iran. The geography of this region, with its high mountain ranges, plays a significant role in many of the mythological stories. The second millennium BCE is usually regarded as the age of migration because of the emergence in western Iran of a new form of Iranian pottery, similar to earlier wares of north-eastern Iran, suggesting the arrival of the Ancient Iranian peoples. This pottery, light grey to black in colour, appeared around 1400 BCE. It is called Early Grey Ware or Iron I, the latter name indicating the beginning of the Iron Age in this area.
Read more about Persian Mythology: Key Texts, Religious Background, Good and Evil
Famous quotes containing the words persian and/or mythology:
“If one doubts whether Grecian valor and patriotism are not a fiction of the poets, he may go to Athens and see still upon the walls of the temple of Minerva the circular marks made by the shields taken from the enemy in the Persian war, which were suspended there. We have not far to seek for living and unquestionable evidence. The very dust takes shape and confirms some story which we had read.”
—Henry David Thoreau (1817–1862)
“It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past.... Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.”
—George Steiner (b. 1929)