Work Outside Music
In December 2001, Farrell flew into politically-troubled Sudan with other members of Christian Solidarity International to negotiate the release of Sudanese slaves. Jane's Addiction donated their earnings from one concert for the redemption of over 2,300 people. Once the redemption agreement was signed, Farrell started up freedom parties at various redemption sites. "He began dancing and singing," said an associate; "I wasn't sure what would happen, but then everyone joined in. Everyone was dancing. Even the Arab retrievers joined in. It was Christians, Muslims, and Jews all dancing together. Arabs, Africans, Americans, and Europeans — all."
He joined forces with Tom Morello and his Axis of Justice tour to raise money for the homeless in Los Angeles and together they both physically removed debris in the Ninth Ward of New Orleans in the aftermath of Hurricane Katrina to assist local musicians. They also fund-raised for "Road Recovery" a New York non-profit organization which helps young people battling with addiction and other adversities.
Farrell met with British Prime Minister Tony Blair at 10 Downing Street on January 31, 2007, to discuss global warming. He presented Blair with a CD of the Satellite Party track "Woman in the Window".
Farrell is an environmentalist, and plans to become a digital-only artist for his next release. He worked with Global Cool in 2007 to help promote green living.
Read more about this topic: Perry Farrell
Famous quotes containing the words work and/or music:
“... married women work and neglect their children because the duties of the homemaker become so depreciated that women feel compelled to take a job in order to hold the respect of the community. It is one thing if women work, as many of them must, to help support the family. It is quite another thing—it is destructive of woman’s freedom—if society forces her out of the home and into the labor market in order that she may respect herself and gain the respect of others.”
—Agnes E. Meyer (1887–1970)
“The basic difference between classical music and jazz is that in the former the music is always greater than its performance—Beethoven’s Violin Concerto, for instance, is always greater than its performance—whereas the way jazz is performed is always more important than what is being performed.”
—André Previn (b. 1929)