Performance Studies and Performance Art
Performance studies has a long-standing and complex relationship to the practice of performance art, also known as live art or visual art performance.
Some key companies and practitioners who are widely considered to be working within this field include: Karen Finley, Robert Lepage, Ariane Mnouchkine and the Theatre du Soleil, Robert Wilson, Forced Entertainment (UK), Pina Bausch, Trisha Brown, DV8 Physical theater, The Wooster Group (New York), Anne Bogart and The Siti Company (New York), and Jan Fabre (Belgium). Other artists, generally outside the European avant-garde theatre, who have been instrumental to the development of analysis in the field include: Carmelita Tropicana, Holly Hughes, Tim Miller, Annie Sprinkle, John Leguizamo, Guillermo Gomez-Peña, Coco Fusco, Ruby Tru, Linda Montano, Vaginal Davis, Lois Weaver, Peggy Shaw, Anna Deveare Smith, Robbie McCauley, Marga Gomez, Dan Kwong, Diamanda Galas, Ron Athey, Reverend Billy, Ana Mendieta, Deb Margolis, Terry Galloway, Eric Bogosian, Danny Hoch, Quentin Crisp, Justin Bond and Kenny Mellman aka Kiki and Herb, Rachel Rosenthal, Spalding Gray, Laurie Anderson, Rhodessa Jones, Bill T. Jones, Luis Alfaro, Reno, John Fleck, Keith Hennessy and Meredith Monk.
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Famous quotes containing the words performance, studies and/or art:
“The way to go to the circus, however, is with someone who has seen perhaps one theatrical performance before in his life and that in the High School hall.... The scales of sophistication are struck from your eyes and you see in the circus a gathering of men and women who are able to do things as a matter of course which you couldn’t do if your life depended on it.”
—Robert Benchley (1889–1945)
“Recent studies that have investigated maternal satisfaction have found this to be a better prediction of mother-child interaction than work status alone. More important for the overall quality of interaction with their children than simply whether the mother works or not, these studies suggest, is how satisfied the mother is with her role as worker or homemaker. Satisfied women are consistently more warm, involved, playful, stimulating and effective with their children than unsatisfied women.”
—Alison Clarke-Stewart (20th century)
“Abused as we abuse it at present, dramatic art is in no sense cathartic; it is merely a form of emotional masturbation.... It is the rarest thing to find a player who has not had his character affected for the worse by the practice of his profession. Nobody can make a habit of self-exhibition, nobody can exploit his personality for the sake of exercising a kind of hypnotic power over others, and remain untouched by the process.”
—Aldous Huxley (1894–1963)