Pennsylvania Station (Baltimore) - Male/Female Sculpture Controversy

Male/Female Sculpture Controversy

In 2004, the City of Baltimore, through its public arts program, commissioned noted sculptor Jonathan Borofsky to create a sculpture as the centerpiece of a re-designed plaza in front of Penn Station. His work, a 51-foot (15.5 m)-tall aluminum statue entitled Male/Female, has generated considerable controversy ever since. Its defenders cite the contemporary imagery and artistic expression as complementing an urban landscape, while opponents criticize what they decry as a clash with Penn Station's Beaux-Arts architecture, detracting from its classic lines.

As The Baltimore Sun editorialized,

"Could this explain why defenders of "Male/Female", the sculpture in front of Penn Station, get so irritable? That large piece of quadrupedal artwork is out there all on its own, unclothed of commemorative armor that might deflect public criticism – unless you want to think of it as a memorial to the war between the sexes, but that's an issue that people tend to have a lot of different and strongly held opinions about anyway. No, "Male/Female" gets a lot of attention strictly on its artistic merits, and much of it isn't very positive, especially concerning its setting in front of the Beaux–Arts railroad station. This drives its proponents up the wall."

Three years later, Baltimore Sun columnist Dan Rodricks ridiculed the artwork, writing on August 26, 2007, "Patrons of art here paid $750,000 for a 51-foot sculpture...that looks like Gort from The Day the Earth Stood Still. I look at it and want to say: 'Klaatu barada nikto!' It's the first thing visitors see when they walk out of the train station." Another Sun reporter, commenting in July 2008 on what she described as the "stormy relationship" between Baltimore and public art, said "People's hate for Penn Station's behemoth Male/Female sculpture has burned for years."

It has also been featured a few times in the Zippy comic strip, beginning with the August 26, 2004 installment. Its cartoonist Bill Griffith opined that "the sculpture as I look at it is both intriguing and compelling but also a little kitschy, and I like that. It's a nice place to be – high art and low art at the same time." He was also attracted to its message that people are full of contradictions and its provocativeness, stating that "you can't not react to it."