Career
Stardom came in 1934 when she played Juliet in a legendary production of Romeo and Juliet, at the New Theatre, in which Laurence Olivier and John Gielgud alternated in the roles of Romeo and Mercutio. She and Gielgud would later be acclaimed as Beatrice and Benedick in Much Ado About Nothing, which they played together a number of times, including a London engagement and European tour for the Shakespeare Memorial Theatre in 1955 (she also played Cordelia to his King Lear during that tour). When she first played Beatrice with him in 1950, Gielgud found her performance "a revelation - an impish, rather tactless girl with a curious resemblance to Bea Lillie," while a teenage Peter Hall observed in her "English containment and decency, contrasted with a wild passion." She stayed at the top of the British theatrical profession throughout her career, with some of the highlights Three Sisters (1937) in which she played Irina, The Heiress (1949), Antony and Cleopatra (1953), As You Like It and Cymbeline (as Imogen) (1957), The Taming of the Shrew (1960), and The War of the Roses, the Royal Shakespeare Company's massive landmark compendium of the three Henry VI plays and Richard III, directed by Peter Hall for the RSC in 1963. Her last appearances for the RSC were as the Countess of Rousillon in Trevor Nunn's 1981 All's Well That Ends Well, a "perfect…performance" according to Financial Times critic Bertram Young, and in a revival of The Hollow Crown for a gala performance at The Swan on 22 June 1986.
Ashcroft's film and television appearances were rare but memorable. One of her earliest film roles was the minor part of the crofter's wife in the Robert Donat version of The Thirty-Nine Steps, directed by Alfred Hitchcock.
In 1937, she appeared in a 30-minute excerpt of Twelfth Night on the BBC Television Service, alongside Greer Garson, the first known instance of a Shakespeare play being performed on television.
She had minor supporting roles in The Nun's Story (1959) opposite Audrey Hepburn; Joseph Losey's Secret Ceremony (1968) starring Elizabeth Taylor and Mia Farrow; and Sunday Bloody Sunday (1971) featuring Peter Finch and Glenda Jackson.
In the 1970s, she starred in Der Fußgänger (English title: The Pedestrian), the Academy Award-nominated and Golden Globe-winning film, which won the Best Foreign Language Foreign Film of 1974. The film was directed by Austrian actor-director Maximilian Schell, and starred former international early screen peers Käthe Haack, Lil Dagover and Françoise Rosay.
Possibly her best known celluloid role was that of Mrs. Moore in David Lean's 1984 film A Passage to India — a role for which she won an Academy Award for Best Supporting Actress among many other awards, including a BAFTA Award and a Golden Globe Award. Ashcroft did not appear in person at the telecast to accept the Oscar, so Angela Lansbury accepted it on her behalf.
Ashcroft's final theatrical film role was in John Schlesinger's Madame Sousatzka (1988) starring Shirley MacLaine.
On television, Ashcroft played Barbie Batchelor in the internationally acclaimed British miniseries The Jewel in the Crown (1984), for which she won a BAFTA Best Television Actress award and an Emmy Award nomination. Other memorable television roles include the miniseries Edward & Mrs. Simpson, Stephen Poliakoff's drama special Caught on a Train, and a miniseries version of John le Carré's A Perfect Spy, for which she received her second Emmy nomination.
Read more about this topic: Peggy Ashcroft
Famous quotes containing the word career:
“I began my editorial career with the presidency of Mr. Adams, and my principal object was to render his administration all the assistance in my power. I flattered myself with the hope of accompanying him through [his] voyage, and of partaking in a trifling degree, of the glory of the enterprise; but he suddenly tacked about, and I could follow him no longer. I therefore waited for the first opportunity to haul down my sails.”
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