Setting
The strip is set in a fictional suburb within or around Albany, California, where Pastis currently lives (at least two strips have stated that the characters live in "Albany"). Every house appears to have siding on it. There is one brick wall, a beach, and the street which is usually littered with the same soda/beer can. Stephan says in a treasury that the can is the only piece of trash he knows how to draw. He then later exercises trash-drawing by adding a banana peel and crumpled up paper in another strip.
The continuity of the strip is very loose, and Pastis even says that "sometimes characters get jobs once, and you never hear about it again." Many storylines are left with open endings, and sometimes continuity leaps are made, especially when characters die (he says they "un-die", a word which has been added to the Urban Dictionary due to Pastis creating it). Usually, relationships between characters are left unaltered. (Farina, who appears infrequently for long periods of time, has a relationship with Rat that usually picks up where it left off.)
Read more about this topic: Pearls Before Swine (comics)
Famous quotes containing the word setting:
“The world is ... the natural setting of, and field for, all my thoughts and all my explicit perceptions. Truth does not “inhabit” only “the inner man,” or more accurately, there is no inner man, man is in the world, and only in the world does he know himself.”
—Maurice Merleau-Ponty (1907–1961)
“Linnæus, setting out for Lapland, surveys his “comb” and “spare shirt,” “leathern breeches” and “gauze cap to keep off gnats,” with as much complacency as Bonaparte a park of artillery for the Russian campaign. The quiet bravery of the man is admirable.”
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“Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man’s will and his environment: in a word, of problem.”
—George Bernard Shaw (1856–1950)