Paul Storr

Paul Storr (1771 London – 4 March 1844 London) was an English gold- and silversmith, sculptor, and designer working in the Neoclassical style during the late eighteenth and early nineteentch centuries. His works range from simple tableware to magnificent sculptural pieces made for royalty.

Storr was apprenticed to Andrew Fogelberg who was of Swedish origin. On completion of his apprenticeship he started his own shop in 1796. In 1807, he began an association with Rundell and Bridge (later Rundell, Bridge and Rundell), a firm of royal goldsmiths, for whom he carried out many commissions ranging from simple tableware to the highly ornate and intricate work. In many cases he produced work following the firm's designs. Some of his own designs were inspired by ancient Roman silver, while others were in a Rococo style. He left the firm in 1819 and by 1822 had entered a partnership with John Mortimer, which was to last until 1838.

Read more about Paul Storr:  His Works

Famous quotes containing the words paul and/or storr:

    If men could menstruate ... clearly, menstruation would become an enviable, boast-worthy, masculine event: Men would brag about how long and how much.... Sanitary supplies would be federally funded and free. Of course, some men would still pay for the prestige of such commercial brands as Paul Newman Tampons, Muhammed Ali’s Rope-a-Dope Pads, John Wayne Maxi Pads, and Joe Namath Jock Shields—”For Those Light Bachelor Days.”
    Gloria Steinem (b. 1934)

    The word “jealousy” is often used as if it were synonymous with envy; but I think the distinction worth preserving. Jealousy is predominantly concerned with the fear of loss of something one possesses, envy with the wish to own something another possesses. Othello suffers from the fear that he has lost Desdemona’s love. Iago suffers from envy of the position held by Cassio, to which he feels entitled.
    —Anthony Storr (b. 1920)