Paul Sills' Story Theatre

Paul Sills' Story Theatre is a play with music, adapted from fairy tales collected by the Brothers Grimm.

It opened on Broadway at the Ambassador Theatre on October 26, 1970 and closed on July 3, 1971, after 243 performances and 14 previews. Directed by Paul Sills, it featured Paul Sand, Valerie Harper, Richard Schaal, Peter Bonerz, Melinda Dillon, Richard Libertini and Hamilton Camp. Linda Lavin joined the cast as a replacement.

Sills and the company developed "Story Theatre" from actual fairy tales, using improvisational theater techniques they adapted from his mother’s (Viola Spolin) books and teachings. These techniques, under Sills direction evolved into The Second City in Chicago, the first improvisational theater company in the US and eventually into another outgrowth, Story Theatre. Transformation, mime, and dance are the basis of the "Story Theatre" method. Story Theatre improvises plays from stories, myths, folk tales, and legends.

The Story Theatre on Broadway was composed of 8 actors with a rock-folk band, "The True Brethren", enacting fairy tale stories. The stories included "The Bremen Town Musicians," "The Little Peasant," "The Robber Bridegroom," "The Master Thief," "The Fisherman and His Wife," "Two Crows," "The Golden Goose," "Henny Penny," and "Venus and the Cat". Each cast member portrayed the various characters in each story; for example, Paul Sand was the Robber Bridegroom, Turkey Lurkey, Cowherd and Rich Peasant, and the Simpleton.

Musical numbers featured "I'll Be Your Baby Tonight" and "Dear Landlord" by Bob Dylan, "Here Comes The Sun" by George Harrison. Additional music was by "The True Brethren" (Hamilton Camp, Waqidi Falicoff (see Waqidi Falicoff, Music Career), Raphael Grinage, Loren Pickford).

Read more about Paul Sills' Story Theatre:  Awards and Nominations

Famous quotes containing the words story and/or theatre:

    The liar at any rate recognizes that recreation, not instruction, is the aim of conversation, and is a far more civilised being than the blockhead who loudly expresses his disbelief in a story which is told simply for the amusement of the company.
    Oscar Wilde (1854–1900)

    ... the theatre demanded of its members stamina, good digestion, the ability to adjust, and a strong sense of humor. There was no discomfort an actor didn’t learn to endure. To survive, we had to be horses and we were.
    Helen Hayes (1900–1993)