Paul Gilbert - Gear

Gear

Paul Gilbert primarily uses his Ibanez PGM signature series guitars, identified by the unique painted on "F-holes". Although earlier PGM models featured the Ibanez Lo-Pro/Edge double locking tremolo system, many of his guitars (such as his main PGM300) were modified to accommodate a fixed bridge after he stopped using whammy bars in the early 90s, hence the Ibanez PGM301 guitar. Along with his signature guitars, Gilbert often uses his sticker-covered "Dino" Ibanez RG750, in addition to a wide variety of Ibanez solidbody and semi-hollow electric guitars. Recently, Gilbert has been using Ibanez "Fireman" (a reversed-body Ibanez Iceman with single-coil pickups and an extra cutaway) guitars, which he designed himself. A red version The Ibanez Fireman is to be mass-produced for consumers at a more affordable price than the Ibanez PGMFRM1 (current Paul Gilbert signature Fireman) in Fall 2011.

Regarding amplifiers, Gilbert used A/DA preamps (A/DA MP-1) and rack effects units early in his career prior to switching to Laney amplifiers. He praised the Laney amps as having "the best natural distorted sound of any tube amp ever heard" Since the G3 2007 tour however, Gilbert stated that playing with Joe Satriani and John Petrucci inspired him to take a closer look at his own guitar sound. As a result of his search he found the Marshall Vintage Modern series. He currently uses the Marshall Vintage Modern 2266c combo amps. Paul now uses the Marshall JMD:1 (specifically JMD501) amplifier along with his Vintage Modern amplifier. Paul uses Jim Dunlop Tortex picks, of which he prefers the orange (.60mm) picks. As far as cables Paul uses Bullet Cable 30' Coiled Cables, Bullet Cable SLUG DIY solderless patch cables for his pedalboard and effects.

Paul has been known to use the following effects:

  • Home Brew Electronics Bajo Mos
  • Home Brew Electronics Detox EQ
  • TC Electronic Nova Delay
  • Home Brew Electronics Compressor Retro
  • MXR Phase 100
  • MXR Phase 90 w/Script Logo and LED
  • BOSS DD-3 Digital Delay
  • Ibanez AF2 Airplane Flanger
  • MXR Blue Box
  • Home Brew Electronics THC Chorus
  • Robert Keeley Nova Wah LE
  • Electro-Harmonix Deluxe Electric Mistress
  • Korg Pitchblack tuner or Boss Chromatic Tuner (depending which is more visible in stage lighting)
  • Majik Box Fuzz Universe (as of 2010)
  • X-otic AC Booster
  • X-otic RC Booster
  • Jim Dunlop 535Q Crybaby (as of 2010)

Paul also used a modified vintage A/DA Flanger from the 1980s (source: Berlin VIP session interview). You can hear it on tracks like 'Bucket of Rocks', and he also uses it on the 'Snowball of Doom' DVD. Paul stated the flanger had been modified. He would set the flanger to self oscillate, which would make the pitch of the resulting signal alternate up and down to create a sound similar to a dive bomb or a pull up on a whammy bar. Unfortunately, during Paul's 2008 European tour, his trusty A/DA Flanger broke. Thankfully, before the pedal broke, he and Ibanez collaborated to make a similar pedal, with both a regular flanger mode and a mode which can be set to create a close approximation of the A/DA pedal's sound, and the pedal has been released as the Ibanez Paul Gilbert AF-2 Airplane Flanger. He also uses the Psilocybe phaser and THC chorus pedals from Home Brew Electronics.

In the intro to "Get Out Of My Yard" Paul uses a Boss DD-3 Delay pedal to achieve the altered pitch looped effect at the beginning of the track. This was also demonstrated by Paul on the instructional DVD of the same name.

He is also famous for using a Makita cordless drill with three picks mounted on the end of it, which he used most famously on the Mr. Big track "Daddy, Brother, Lover, Little Boy".

In 2009, Ibanez released a new PGM model, the Ibanez PGM401, which is rather different from most of Paul's previous models, with an ash body (most of his previous models were made of basswood, although his PGM800 guitar was made of lightweight ash, a similar but different wood than that used in the PGM401), Trifade Burst finish, Cosmo Black hardware and a regular headstock replacing the reversed one of the previous models. Also, rather than the DiMarzio PAF Pro, Tone Zone and Super Distortion pickups used in his previous models, the PGM401 comes with Paul's favorite humbucker model for the past five years, the DiMarzio Air Classic, arranged in a dual humbucker arrangement. Paul has stated that he had the bridge pickup moved 1mm closer to the neck, which he said results in a warmer and thicker sound, particularly for the high notes he often uses in soloing. The F-holes are 3% smaller, to make the look more balanced with the pickup mounting rings. But perhaps the biggest difference from other current Ibanez guitar models, is that the PGM401 uses the old late-1980s neckjoint, which is thicker than the current neckjoints on other Ibanez guitars.

In 2011, Ibanez released a new model for Gilbert the FRM100. The design of the FRM100 was inspired by many hours of playing and performance by Paul Gilbert with the original Ibanez Fireman model featuring a distinctive reverse Iceman body outline.

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