Music
Much of Larley's output has been sacred choral music, ranging from short unaccompanied gems such as the well-known A Girl for the Blue through to full-scale works for choir, soloists and orchestra such as his Mass of a Thousand Ages written for the new millennium and first performed in April 2000. His musical style is fresh, tonal and approachable, with soft dissonances, soaring melodies and lilting syncopation, blending seamlessly his strong ecclesiastical roots in plainchant and monastic liturgy with the simplicity of a Celtic folk-like idiom. Reviewers and commentators have likened his musical style at various times to that of Gerald Finzi, William Mathias, John Rutter, Frederick Delius and Leonard Bernstein.
A number of his choral works have been recorded on CD, broadcast on BBC Radio 3 and performed widely in the UK and in America.
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Famous quotes containing the word music:
“The time was once, when thou unurged wouldst vow
That never words were music to thine ear,
That never object pleasing in thine eye,
That never touch well welcome to thy hand,
That never meat sweet-savored in thy taste,
Unless I spake, or looked, or touched, or carved to thee.”
—William Shakespeare (1564–1616)
“And in the next instant, immediately behind them, Victor saw his former wife.
At once he lowered his gaze, automatically tapping his cigarette to dislodge the ash that had not yet had time to form. From somewhere low down his heart rose like a fist to deliver an uppercut, drew back, struck again, then went into a fast disorderly throb, contradicting the music and drowning it.”
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“Sound all the lofty instruments of war,
And by that music let us all embrace,
For, heaven to earth, some of us never shall
A second time do such a courtesy.”
—William Shakespeare (1564–1616)