Film and Television Career
Buttram's first Autry film was Strawberry Roan in 1948. In the late 1940s, Buttram joined Autry on his radio show, Melody Ranch and then on television with The Gene Autry Show. During the first television season, Buttram went by "Pat" or "Patrick", with a variety of last names. From the second season on, he used his own name.
Buttram is also known for his role as "Mr. Haney" in the 1965–1971 television comedy Green Acres. He did voice work for several Disney animated features, playing Napoleon (hound dog) in The Aristocats, the Sheriff of Nottingham (a wolf) in Robin Hood, Luke (swamp inhabitant) in The Rescuers, Chief (hunting dog) in The Fox and the Hound, and one of the Toon bullets in Who Framed Roger Rabbit.
Buttram had a recurring role as the voice of Cactus Jake on Garfield and Friends. One of his last roles was a cameo in Back to the Future Part III. His final voice over was A Goofy Movie, released a year after his death.
Buttram made the oft-quoted observation about the 1971 "rural purge", in which CBS cancelled many programs with a rural-related theme or setting: "CBS canceled everything with a tree — including Lassie."
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Famous quotes containing the words film and television, film and, film, television and/or career:
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“The obvious parallels between Star Wars and The Wizard of Oz have frequently been noted: in both there is the orphan hero who is raised on a farm by an aunt and uncle and yearns to escape to adventure. Obi-wan Kenobi resembles the Wizard; the loyal, plucky little robot R2D2 is Toto; C3PO is the Tin Man; and Chewbacca is the Cowardly Lion. Darth Vader replaces the Wicked Witch: this is a patriarchy rather than a matriarchy.”
—Andrew Gordon, U.S. educator, critic. “The Inescapable Family in American Science Fiction and Fantasy Films,” Journal of Popular Film and Television (Summer 1992)
“Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.”
—David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)
“It is among the ranks of school-age children, those six- to twelve-year-olds who once avidly filled their free moments with childhood play, that the greatest change is evident. In the place of traditional, sometimes ancient childhood games that were still popular a generation ago, in the place of fantasy and make- believe play . . . today’s children have substituted television viewing and, most recently, video games.”
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““Never hug and kiss your children! Mother love may make your children’s infancy unhappy and prevent them from pursuing a career or getting married!” That’s total hogwash, of course. But it shows on extreme example of what state-of-the-art “scientific” parenting was supposed to be in early twentieth-century America. After all, that was the heyday of efficiency experts, time-and-motion studies, and the like.”
—Lawrence Kutner (20th century)