Passive Analogue Filter Development - Image Method Versus Synthesis

Image Method Versus Synthesis

Image filters continued to be used by designers long after the superior network synthesis techniques were available. Part of the reason for this may have been simply inertia, but it was largely due to the greater computation required for network synthesis filters, often needing a mathematical iterative process. Image filters, in their simplest form, consist of a chain of repeated, identical sections. The design can be improved simply by adding more sections and the computation required to produce the initial section is on the level of "back of an envelope" designing. In the case of network synthesis filters, on the other hand, the filter is designed as a whole, single entity and to add more sections (i.e., increase the order) the designer would have no option but to go back to the beginning and start over. The advantages of synthesised designs are real, but they are not overwhelming compared to what a skilled image designer could achieve, and in many cases it was more cost effective to dispense with time-consuming calculations. This is simply not an issue with the modern availability of computing power, but in the 1950s it was non-existent, in the 1960s and 1970s available only at cost, and not finally becoming widely available to all designers until the 1980s with the advent of the desktop personal computer. Image filters continued to be designed up to that point and many remained in service into the 21st century.

The computational difficulty of the network synthesis method was addressed by tabulating the component values of a prototype filter and then scaling the frequency and impedance and transforming the bandform to those actually required. This kind of approach, or similar, was already in use with image filters, for instance by Zobel, but the concept of a "reference filter" is due to Sidney Darlington. Darlington (1939), was also the first to tabulate values for network synthesis prototype filters, nevertheless it had to wait until the 1950s before the Cauer-Darlington elliptic filter first came into use.

Once computational power was readily available, it became possible to easily design filters to minimise any arbitrary parameter, for example time delay or tolerance to component variation. The difficulties of the image method were firmly put in the past, and even the need for prototypes became largely superfluous. Furthermore, the advent of active filters eased the computation difficulty because sections could be isolated and iterative processes were not then generally necessary.

Read more about this topic:  Passive Analogue Filter Development

Famous quotes containing the words image, method and/or synthesis:

    In this choice of inheritance we have given to our frame of polity the image of a relation in blood; binding up the constitution of our country with our dearest domestic ties; adopting our fundamental laws into the bosom of our family affections; keeping inseparable and cherishing with the warmth of all their combined and mutually reflected charities, our state, our hearths, our sepulchres, and our altars.
    Edmund Burke (1729–1797)

    in the absence of feet, “a method of conclusions”;
    “a knowledge of principles,”
    in the curious phenomenon of your occipital horn.
    Marianne Moore (1887–1972)

    In order to begin an analysis, there must already be a synthesis present in the mind.
    Johan Huizinga (1872–1945)