Production
The first five seasons of Parking Wars were filmed on location in Philadelphia. Beginning the third season, Detroit's MPD (Municipal Parking Department) was added as a location as well, in addition to the PPA. Since season 6, the series currently features the Detroit MPD, and the parking enforcement unit of Providence, Rhode Island. Beginning in season 7, a different private towing firm will be featured in each episode, alongside the parking enforcement officers of Detroit and Providence. It was confirmed that Japan will be in Season 7.
The series was based on a 2001 documentary of the same name about the PPA, produced for A&E and Britain's Channel 5, about a day in the life of the PPA, from morning to late night, taped in April 2001. The documentary featured off-screen narration by Daniel Jenkins, as well as all elements of the PPA's operation—ticketing, booting, impounding, towing, adjudication and auctioning. When the series debuted seven years later in 2008, the narrator was dropped in favor of the employees telling the stories themselves, each episode had three separate segments, and the adjudication and auctioning aspects were no longer featured (with towing only featured very occasionally). Some of the staffers that appeared in the documentary, such as boot crew member Steve Garfield, would later be seen in the series. When this documentary was rebroadcast after the start of the series, it was listed in television listings as "The Lost Pilot".
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Famous quotes containing the word production:
“An art whose limits depend on a moving image, mass audience, and industrial production is bound to differ from an art whose limits depend on language, a limited audience, and individual creation. In short, the filmed novel, in spite of certain resemblances, will inevitably become a different artistic entity from the novel on which it is based.”
—George Bluestone, U.S. educator, critic. “The Limits of the Novel and the Limits of the Film,” Novels Into Film, Johns Hopkins Press (1957)
“It is part of the educator’s responsibility to see equally to two things: First, that the problem grows out of the conditions of the experience being had in the present, and that it is within the range of the capacity of students; and, secondly, that it is such that it arouses in the learner an active quest for information and for production of new ideas. The new facts and new ideas thus obtained become the ground for further experiences in which new problems are presented.”
—John Dewey (1859–1952)
“The myth of unlimited production brings war in its train as inevitably as clouds announce a storm.”
—Albert Camus (1913–1960)