Origins and History
There is a tradition of sacred enclosures with marked boundaries (fanum) in Celtic polytheism. This reflected a pre-occupation with well-defined sacred features, particularly springs and groves. After the arrival of Christianity, many older traditions and cultural traits persisted within the new religion. The place-name element lan or llan, now taken to signify a church, originally signified an enclosure. In all Brythonic Celtic areas, there was a strong association between church enclosures and specific saints, often of a very particular local character. Whatever the persistence of older themes and styles, the parish closes of Brittany took their present form in the early modern period, over a millennium after the region was thoroughly Christianized.
A major factor in permitting the elaboration of parish closes was the relative prosperity of Finistère in the 16th century. This was built on the maritime competition and constant warfare that plagued much of Western Europe in this period. A group of parishes, just inland, benefited hugely from supplying the ports with the hemp and linen needed to rig ships, as well as food, clothing, and other supplies. This allowed them to engage in friendly civic competition with each other, constructing and embellishing closes that were displayed most effectively during the periodic pardons, which attracted pilgrims from all over Brittany and beyond.
The majority of the churches were substantially built in the 16th century and most of the calvaries are of the same period. Throughout the 17th century, the already-impressive churches were embellished with sculpture and decoration, much of it polychrome, turning them into rich and complex exhibitions of Catholic iconography, mostly Baroque in style.
Read more about this topic: Parish Close
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