Paramount Classics Releases
| Name | Release Date | Production Company(s) |
|---|---|---|
| Trekkies | March 12, 1999 | |
| Get Real | April 30, 1999 | |
| Cabaret Balkan | July 23, 1999 | |
| The Adventures of Sebastian Cole | August 6, 1999 | co-production with Cuplan Productions LLC |
| Train of Life | November 12, 1999 | |
| Where's Marlowe? | November 12, 1999 | |
| Deterrence | March 10, 2000 | |
| The Virgin Suicides | May 12, 2000 | |
| Passion of Mind | May 26, 2000 | |
| Sunshine | June 9, 2000 | |
| Girl on the Bridge | July 28, 2000 | |
| You Can Count on Me | November 17, 2000 | |
| The Gift | January 19, 2001 | co-production with Lakeshore Entertainment |
| Company Man | March 9, 2001 | co-production with Pathé |
| Savage Souls | May 20, 2001 | co-production with Paramount Pictures |
| Bride of the Wind | June 8, 2001 | |
| An American Rhapsody | August 24, 2001 | |
| Our Lady of the Assassins | September 7, 2001 | |
| My First Mister | October 12, 2001 | |
| Focus | November 2, 2001 | |
| Sidewalks of New York | November 21, 2001 | |
| Mean Machine | February 22, 2002 | |
| Festival in Cannes | March 3, 2002 | |
| The Triumph of Love | May 10, 2002 | |
| The Emperor's New Clothes | June 14, 2002 | |
| Who Is Cletis Tout? | July 26, 2002 | |
| Mostly Martha | August 16, 2002 | |
| Just a Kiss | September 27, 2002 | |
| Bloody Sunday | October 4, 2002 | |
| The Way Home | November 15, 2002 | |
| Till Human Voices Wake Us | February 21, 2003 | |
| House of Fools | April 25, 2003 | |
| The Man on the Train | May 9, 2003 | |
| Northfork | July 11, 2003 | |
| And Now... Ladies and Gentlemen | August 8, 2003 | |
| The Singing Detective | October 24, 2003 | |
| The Machinist | January 18, 2004 | |
| The Reckoning | March 5, 2004 | |
| The United States of Leland | April 2, 2004 | |
| Love Me If You Dare | May 11, 2004 | |
| I'll Sleep When I'm Dead | June 16, 2004 | |
| Intimate Strangers | July 30, 2004 | |
| Mean Creek | August 20, 2004 | |
| Enduring Love | October 29, 2004 | |
| Fade to Black | November 5, 2004 | |
| Schultze Gets the Blues | February 18, 2005 | |
| Winter Solstice | April 8, 2005 | |
| Mad Hot Ballroom | May 13, 2005 | co-production with Nickelodeon Movies, Warner Bros., Pathé and Just One Productions |
| After You... | June 3, 2005 | |
| Hustle & Flow | July 22, 2005 | |
| Asylum | August 12, 2005 | |
| Neil Young: Heart of Gold | February 10, 2006 | |
| Ask the Dust | March 17, 2006 | |
| An Inconvenient Truth | May 24, 2006 | |
| Typhoon | June 2, 2006 | |
| Broken Bridges | September 8, 2006 | |
| Arctic Tale | July 25, 2007 | |
| Beneath | August 7, 2007 | |
| The Kite Runner | December 14, 2007 | |
| Shine a Light | April 4, 2008 |
Read more about this topic: Paramount Vantage
Famous quotes containing the words paramount, classics and/or releases:
“If all political power be derived only from Adam, and be to descend only to his successive heirs, by the ordinance of God and divine institution, this is a right antecedent and paramount to all government; and therefore the positive laws of men cannot determine that, which is itself the foundation of all law and government, and is to receive its rule only from the law of God and nature.”
—John Locke (1632–1704)
“The fact is, the public make use of the classics of a country as a means of checking the progress of Art. They degrade the classics into authorities. They use them as bludgeons for preventing the free expression of Beauty in new forms.”
—Oscar Wilde (1854–1900)
“We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.”
—Bertolt Brecht (1898–1956)