Parable - Characteristics

Characteristics

A parable is a short tale that illustrates universal truth, one of the simplest of narratives. It sketches a setting, describes an action, and shows the results. It often involves a character facing a moral dilemma, or making a questionable decision and then suffering the consequences. Though the meaning of a parable is often not explicitly stated, the meaning is not usually intended be hidden or secret but on the contrary quite straightforward and obvious.

The defining characteristic of the parable is the presence of a prescriptive subtext suggesting how a person should behave or believe. Aside from providing guidance and suggestions for proper action in life, parables frequently use metaphorical language which allows people to more easily discuss difficult or complex ideas. Parables teach an abstract argument, using a concrete narrative which is more easily grasped.

The parable can be distinguished from other narrative types which have a moral content, such as the apologue and the allegory, although this distinction has not always been clear.

The apologue is a type of fable which is intended to express a simple moral lesson. Like the apologue, the parable generally relates a single, simple, consistent action, without a great deal of circumstantial detail. And like the apologue, the parable expresses a moral lesson. However, unlike the apologue, the parable is a realistic story that seems inherently probable and takes place in a familiar setting of life. For example the characters in a parable are exclusively human, whereas the characters in an apologue may be animals or plants or other natural phenomena. For this reason, Folktales and fairy tales may generally be regarded as fables or apologues rather than parables.

The allegory is a more general narrative type, which covers any use of figurative metaphor. Like the allegory, the parable uses metaphor to make its point. But unlike allegory, the parable makes a single, unambiguous point. The allegory may have multiple noncontradictory interpretations, and may also have implications that are ambiguous or hard to interpret. As H.W. Fowler puts it in Modern English Usage, the object of both parable and allegory "is to enlighten the hearer by submitting to him a case in which he has apparently no direct concern, and upon which therefore a disinterested judgment may be elicited from him." The parable, though, is more condensed than the allegory: a single principle comes to bear, and a single moral is deduced as it dawns on the reader or listener that the conclusion applies equally well to his own concerns.

Medieval interpreters of the Bible often treated Jesus' parables as allegories, with symbolic correspondences found for every element in the parables.

Gnostics suggest that Jesus kept some of his teachings secret within the circle of his own disciples, and deliberately obscured their meaning by the use of parable, for example, Mark 4:11-12:

"And he said to them, ‘To you has been given the secret of the kingdom of God, but for those outside, everything comes in parables; in order that “they may indeed look, but not perceive, and may indeed listen, but not understand; so that they may not turn again and be forgiven.” ’" (NRSV)

Modern critics, beginning with Adolf Jülicher, regard these interpretations as inappropriate and untenable. Jülicher held that Jesus' parables usually are intended to make a single important point, and most recent scholarship agrees.

The parable is related to figures of speech such as the metaphor and the simile, but should not be identified with these.

A parable is like a metaphor in that it uses concrete, perceptible phenomena to illustrate abstract, ephemeral ideas. It could be said that a parable is a metaphor that has been extended to form a brief, coherent fiction. For example, Christian parables have recently been studied as extended metaphors. However, "extended metaphor" is not in itself a sufficient description of parable; the characteristics of an extended metaphor are shared by many narrative types, including the allegory, the fable and the apologue.

Similarly, a parable also resembles a simile, i.e. a metaphorical construction in which something is said to be "like" something else (e.g. "The just man is like a tree planted by streams of water"). However, unlike a simile, a parable's parallel meaning is unspoken and implicit, though not ordinarily secret.

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