Politics
Before 1948, most Palestinian artists were self-taught, painting landscapes and religious scenes in imitation of the European style. Art exhibitions were almost unheard of. Notable artists of this era include Khalil Halaby, Nahil Bishara and Faddoul Odeh. Jamal Badran (1909–1999) was a leading artist in the Islamic style. Sophie Halaby studied in France and Italy before returning to teach at the Schmidt Girls College in 1935-1955.
One of the earliest artists to add a political dimension to his works was Nicola Saig (1863-1942). While most of the art in his day explored religious themes and non-controversial issues, Saig's work ventured into politics. Caliph Umar at Jerusalem Gates c. 1920, for example, seems to recount a popular religious legend about Umar bloodlessly taking over Jerusalem and ushering centuries of peace between the local Christian and Jewish populations. However, upon closer look, the Christ-like stature given to the Caliph jab at what many Palestinians saw as divisive policies of the British during the Mandate Period which attempted to create friction between Muslims and Christian Arabs.
After 1948, Ismail Shammout, Naji al-ali, Mustafa al-Hallaj and Paul Guiragossian tackled the painful memories of the Nabka showing massacres, refugees and clear political themes. Others such as Sophia Halaby, Ibrahim Ghannam, and Juliana Seraphim focused more subtly on questions of identity including Palestinian cultural traditions, physical geography, and a surrealistic look at memories of childhood reverie.
According to Tal Ben Zvi, Palestinian artists after 1948 reside in four geographical territories and have no art colleges. Thus unlike sovereign nation-states where art is based on "national borders, national museums and institutes of learning, he claims Palestinian art is based chiefly on artists operating within the frame of Palestinian identity.
Read more about this topic: Palestinian Art
Famous quotes containing the word politics:
“The average educated man in America has about as much knowledge of what a political idea is as he has of the principles of counterpoint. Each is a thing used in politics or music which those fellows who practise politics or music manipulate somehow. Show him one and he will deny that it is politics at all. It must be corrupt or he will not recognize it. He has only seen dried figs. He has only thought dried thoughts. A live thought or a real idea is against the rules of his mind.”
—John Jay Chapman (1862–1933)
“Europe has a set of primary interests, which to us have none, or a very remote relation. Hence she must be engaged in frequent controversies, the causes of which are essentially foreign to our concerns. Hence, therefore, it must be unwise in us to implicate ourselves, by artificial ties, in the ordinary vicissitudes of her politics or the ordinary combinations and collisions of her friendships or enmities.”
—George Washington (1732–1799)
“The history of American politics is littered with bodies of people who took so pure a position that they had no clout at all.”
—Ben C. Bradlee (b. 1921)