Construction History
The Palais Garnier was designed as part of the great reconstruction of Paris during the Second Empire initiated by Emperor Napoleon III, who chose Baron Haussmann to supervise the reconstruction. In 1858 the Emperor authorized Haussmann to clear the required 12,000 square metres (1.2 ha) of land on which to build a second theatre for the world-renowned Parisian Opera and Ballet companies.
The selection of the architect was the subject of an architectural design competition in 1861, a competition which was won by the architect Charles Garnier (1825–1898). Legend has it that the Emperor's wife, the Empress Eugénie, who was likely irritated that her own favored candidate, Viollet-le-Duc, had not been selected, asked the relatively unknown Garnier: "What is this? It's not a style; it's neither Louis Quatorze, nor Louis Quinze, nor Louis Seize!" "Why Ma'am, it's Napoléon Trois" replied Garnier "and you're complaining!" Andrew Ayers has written that Garnier's definition "remains undisputed, so much does the Palais Garnier seem emblematic of its time and of the Second Empire that created it. A giddy mixture of up-to-the-minute technology, rather prescriptive rationalism, exuberant eclecticism and astonishing opulence, Garnier's opera encapsulated the divergent tendencies and political and social ambitions of its era." Ayers goes on to say that the judges of the competition in particular admired Garnier's design for "the clarity of his plan, which was a brilliant example of the beaux-arts design methods in which both he and they were thoroughly versed."
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