Style
The palace introduced to France the Italian Mannerist style in interior decoration and in gardens, and transformed them in the translation. The French Mannerist style of interior decoration of the 16th century is known as the "Fontainebleau style": it combined sculpture, metalwork, painting, stucco and woodwork, and outdoors introduced the patterned garden parterre. The Fontainebleau style combined allegorical paintings in moulded plasterwork where the framing was treated as if it were leather or paper, slashed and rolled into scrolls and combined with arabesques and grotesques. Fontainebleau ideals of female beauty are Mannerist: a small neat head on a long neck, exaggeratedly long torso and limbs, small high breasts—almost a return to Late Gothic beauties. The new works at Fontainebleau were recorded in refined and detailed engravings that circulated among connoisseurs and artists. Through the engravings by the "School of Fontainebleau" this new style was transmitted to other northern European centres, Antwerp especially, and Germany, and eventually London.
Read more about this topic: Palace Of Fontainebleau
Famous quotes containing the word style:
“The habit some writers indulge in of perpetual quotation is one it behoves lovers of good literature to protest against, for it is an insidious habit which in the end must cloud the stream of thought, or at least check spontaneity. If it be true that le style c’est l’homme, what is likely to happen if l’homme is for ever eking out his own personality with that of some other individual?”
—Dame Ethel Smyth (1858–1944)
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—Edward Gibbon (1737–1794)
“It is not in our drawing-rooms that we should look to judge of the intrinsic worth of any style of dress. The street-car is a truer crucible of its inherent value.”
—Elizabeth Stuart Phelps (1844–1911)