The Painted Desert Community Complex is the administrative center of Petrified Forest National Park. The community center includes administrative facilities, utility structures and National Park Service employee housing, planned by architects Richard Neutra and Robert Alexander as part of the Mission 66 park facilities improvement program. Work on the community began in 1961 and was completed by 1965. The complex contrasts with earlier Park Service architecture that sought to blend with the environment. The Painted Desert community used straight manufactured materials that deliberately draw a contrast with the natural environment.
The most significant building is the Painted Desert Visitor Center, designed as a severely modernist structure that includes administrative offices., a visitor center, an auditorium, a clinic and staff apartments. Other structures include a community center, school and a Fred Harvey Company concession building.
Neutra and Alexander paid particular attention to the division of the complex into public and private areas, using low walls to divide the Park Service service area from the central zone, and setting the inward-facing residential areas at a distance. Pedestrian circulation paths are used as defining organizing elements.
The original landscape design used non-native plants that required regular watering. Removal of irrigation caused these plants to die, altering the landscape.
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“But popular rage,
Hysterica passio dragged this quarry down.
None shared our guilt; nor did we play a part
Upon a painted stage when we devoured his heart.”
—William Butler Yeats (1865–1939)
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—Hal Borland (1900–1978)
“This is the only “wet” community in a wide area, and is the rendezvous of cow hands seeking to break the monotony of chuck wagon food and range life. Friday night is the “big time” for local cowboys, and consequently the calaboose is called the “Friday night jail.””
—Administration in the State of Texa, U.S. public relief program (1935-1943)
“When distant and unfamiliar and complex things are communicated to great masses of people, the truth suffers a considerable and often a radical distortion. The complex is made over into the simple, the hypothetical into the dogmatic, and the relative into an absolute.”
—Walter Lippmann (1889–1974)
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—Ralph Waldo Emerson (1803–1882)
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—Rebecca West (1892–1983)