The Painted Desert Community Complex is the administrative center of Petrified Forest National Park. The community center includes administrative facilities, utility structures and National Park Service employee housing, planned by architects Richard Neutra and Robert Alexander as part of the Mission 66 park facilities improvement program. Work on the community began in 1961 and was completed by 1965. The complex contrasts with earlier Park Service architecture that sought to blend with the environment. The Painted Desert community used straight manufactured materials that deliberately draw a contrast with the natural environment.
The most significant building is the Painted Desert Visitor Center, designed as a severely modernist structure that includes administrative offices., a visitor center, an auditorium, a clinic and staff apartments. Other structures include a community center, school and a Fred Harvey Company concession building.
Neutra and Alexander paid particular attention to the division of the complex into public and private areas, using low walls to divide the Park Service service area from the central zone, and setting the inward-facing residential areas at a distance. Pedestrian circulation paths are used as defining organizing elements.
The original landscape design used non-native plants that required regular watering. Removal of irrigation caused these plants to die, altering the landscape.
Famous quotes containing the words painted, desert, community, complex, historic and/or district:
“Now as at all times I can see in the mind’s eye,
In their stiff, painted clothes, the pale unsatisfied ones
Appear and disappear in the blue depth of the sky”
—William Butler Yeats (1865–1939)
“It’s alive and waiting for you. Ready to kill you if you go too far. The sun will get you, or the cold at night. A thousand ways the desert can kill.”
—Harry Essex (b. 1910)
“He thought that, because the community represents millions of people, therefore it must be millions of times more important than the individual, forgetting that the community is an abstraction from the many, and is not the many themselves.”
—D.H. (David Herbert)
“The money complex is the demonic, and the demonic is God’s ape; the money complex is therefore the heir to and substitute for the religious complex, an attempt to find God in things.”
—Norman O. Brown (b. 1913)
“The first farmer was the first man, and all historic nobility rests on possession and use of land.”
—Ralph Waldo Emerson (1803–1882)
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (1892–1983)