The Painted Desert Community Complex is the administrative center of Petrified Forest National Park. The community center includes administrative facilities, utility structures and National Park Service employee housing, planned by architects Richard Neutra and Robert Alexander as part of the Mission 66 park facilities improvement program. Work on the community began in 1961 and was completed by 1965. The complex contrasts with earlier Park Service architecture that sought to blend with the environment. The Painted Desert community used straight manufactured materials that deliberately draw a contrast with the natural environment.
The most significant building is the Painted Desert Visitor Center, designed as a severely modernist structure that includes administrative offices., a visitor center, an auditorium, a clinic and staff apartments. Other structures include a community center, school and a Fred Harvey Company concession building.
Neutra and Alexander paid particular attention to the division of the complex into public and private areas, using low walls to divide the Park Service service area from the central zone, and setting the inward-facing residential areas at a distance. Pedestrian circulation paths are used as defining organizing elements.
The original landscape design used non-native plants that required regular watering. Removal of irrigation caused these plants to die, altering the landscape.
Famous quotes containing the words painted, desert, community, complex, historic and/or district:
“Nothing in medieval dress distinguished the child from the adult. In the seventeenth century, however, the child, or at least the child of quality, whether noble or middle-class, ceased to be dressed like the grown-up. This is the essential point: henceforth he had an outfit reserved for his age group, which set him apart from the adults. These can be seen from the first glance at any of the numerous child portraits painted at the beginning of the seventeenth century.”
—Philippe Ariés (20th century)
“This ripe rebuke, this burgeoning affluence
Mocks me and mocks the desert of my bed.”
—Gwendolyn Brooks (b. 1917)
“What I wanted was to create thoughtful citizens—people who believed they could live interesting lives and be productive and socially useful. So I tried to create a community of children and adults where the adults shared and respected the children’s lives.”
—Deborah Meier (b. 1931)
“It’s a complex fate, being an American, and one of the responsibilities it entails is fighting against a superstitious valuation of Europe.”
—Henry James (1843–1916)
“We are becoming like cats, slyly parasitic, enjoying an indifferent domesticity. Nice and snug in “the social” our historic passions have withdrawn into the glow of an artificial cosiness, and our half-closed eyes now seek little other than the peaceful parade of television pictures.”
—Jean Baudrillard (b. 1929)
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (1892–1983)