Ouvrage Coucou - Description

Description

Coucou is a petit ouvrage with two combat blocks, overlooking the village of Kemplich. The blocks are linked by an underground gallery with barracks and a utility area (usine). The galleries are excavated at an average depth of up to 30 metres (98 ft).

  • Block 1: infantry/entry block with one automatic rifle cloche (GFM), three automatic rifle embrasures and one 37mm anti-tank gun (JM/AC37) embrasure.
  • Block 2: infantry block with two GFM cloches, one retractable machine gun turret, two machine gun embrasures and one 47mm anti-tank gun (JM/AC47) embrasure.

In addition, the ouvrage was linked to the Abri du Coucou by an 80-metre (260 ft) underground gallery. The above-ground infantry shelter was armed with two GFM cloches and five automatic rifle embrasures. It possessed its own generating plant. Other nearby posts include:

  • Abri des Chênes-Brûlés: Subterranean infantry shelter (abri-caverne) with two GFM cloches.
  • Observatoire des Chênes-Brûlés: Observation post with one VP observation cloche and one GFM cloche, reporting to Mont-des-Welches.

An observation block was planned for a second phase, never executed, directly over the caserne.

Read more about this topic:  Ouvrage Coucou

Famous quotes containing the word description:

    Whose are the truly labored sentences? From the weak and flimsy periods of the politician and literary man, we are glad to turn even to the description of work, the simple record of the month’s labor in the farmer’s almanac, to restore our tone and spirits.
    Henry David Thoreau (1817–1862)

    As they are not seen on their way down the streams, it is thought by fishermen that they never return, but waste away and die, clinging to rocks and stumps of trees for an indefinite period; a tragic feature in the scenery of the river bottoms worthy to be remembered with Shakespeare’s description of the sea-floor.
    Henry David Thoreau (1817–1862)

    The Sage of Toronto ... spent several decades marveling at the numerous freedoms created by a “global village” instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle’s present vulgarity.
    Guy Debord (b. 1931)