Criticism
- The linguistic center of gravity principle states that a language family's most likely point of origin is in the area of its greatest diversity. Only one branch of Indo-European, Indo-Aryan, is found in India, whereas the Italic, Venetic, Illyrian, Germanic, Baltic, Slavic, Thracian, and Greek branches of Indo-European are all found in Central-Eastern Europe. Because it requires a greater number of long migrations, an Indian Urheimat is far less likely than one closer to the center of Indo-European linguistic diversity. However, the existence of the Tocharian language family in Western China would shift the center of gravity eastward. Some scholars argue that the various language families in Central and Eastern Europe evolved fairly recently, which implies that there was less diversity in the western side of the Indo-European language family during the 2nd millennium BCE at a time contemporaneous with Vedic Sanskrit.
- The Indic languages show the influence of the Dravidian and Munda language families. No other branch of Indo-European does. If the Indo-European homeland had been located in India, then the Indo-European languages should have shown some influence from Dravidian and Munda.
- To postulate the migration of PIE speakers out of India necessitates an earlier dating of the Rigveda than is normally accepted by Vedic scholars in order to make a deep enough period of migration to allow for the longest migrations to be completed.(Mallory 1989)
Read more about this topic: Out Of India Theory
Famous quotes containing the word criticism:
“I consider criticism merely a preliminary excitement, a statement of things a writer has to clear up in his own head sometime or other, probably antecedent to writing; of no value unless it come to fruit in the created work later.”
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“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men’s genius. By virtue of style, criticism can itself become literature. But usually this occurs only when the writer is acting as critic of his own work or as outrider to his own poetics, when the criticism of Coleridge is work in progress or that of T.S. Eliot propaganda.”
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