Orthodox Marxists - Criticism

Criticism

There have been a number of criticisms of orthodox Marxism from within the Marxist movement. From the 1890s, during the Second International, Eduard Bernstein and others developed a position known as revisionism, which sought to revise Marx's views based on the idea that the progressive development of capitalism and the extension of democracy meant that peaceful, parliamentary reform could achieve socialism. This view was contested by orthodox Marxists such as Kautsky, as well as by the young Georg Lukacs, who in 1919 defined orthodox Marxism defensively, thus:

orthodoxy refers exclusively to method. It is the scientific conviction that dialectical materialism is the road to truth and that its methods can be developed, expanded and deepened only along the lines laid down by its founders. It is the conviction, moreover, that all attempts to surpass or ‘improve’ it have led and must lead to over-simplification, triviality and eclecticism.

Western Marxism, the intellectual Marxism which developed in Western Europe from the 1920s onwards, sought to make Marxism more sophisticated, open and flexible, examining issues like culture that were outside the field of orthodox Marxism. Western Marxists, such as Georg Lukács, Karl Korsch, Antonio Gramsci and the Frankfurt School, have tended to be open to influences orthodox Marxists consider bourgeois, such as psychoanalysis and the sociology of Max Weber. Marco Torres illustrates the shift away from orthodox Marxism in the Frankfurt School:

In the early 1920s, the original members of the Frankfurt Institute—half forgotten names such as Carl Grünberg, Henryk Grossman and Karl August Wittfogel, were social scientists of an orthodox Marxist conviction. They understood their task as an advancement of the sciences that would prove useful in solving the problems of a Europe-wide transition into socialism, which they saw, if not as inevitable, at least as highly likely. But as fascism reared its head in Germany and throughout Europe, the younger members of the Institute saw the necessity for a different kind of Marxist Scholarship. Beyond accumulating knowledge relevant to an orthodox Marxist line, they felt the need to take the more critical and negative approach that is required for the maintenance of an integral and penetrating understanding of society during a moment of reaction. This could be described as the politically necessary transition from Marxist positive science to Critical Theory.

In parallel to this, Cedric Robinson has identified a Black Marxist tradition, including people like C.L.R. James and W. E. B. Du Bois, who have opened Marxism to the study of race.

In the postwar period, the New Left and new social movements gave rise to intellectual and political currents which again challenged orthodox Marxism. These include Italian autonomism, French Situationism, the Yugoslavian Praxis School, British cultural studies, Marxist feminism, Marxist humanism, analytical Marxism and critical realism.

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Famous quotes containing the word criticism:

    The greater the decrease in the social significance of an art form, the sharper the distinction between criticism and enjoyment by the public. The conventional is uncritically enjoyed, and the truly new is criticized with aversion.
    Walter Benjamin (1892–1940)

    I am opposed to writing about the private lives of living authors and psychoanalyzing them while they are alive. Criticism is getting all mixed up with a combination of the Junior F.B.I.- men, discards from Freud and Jung and a sort of Columnist peep- hole and missing laundry list school.... Every young English professor sees gold in them dirty sheets now. Imagine what they can do with the soiled sheets of four legal beds by the same writer and you can see why their tongues are slavering.
    Ernest Hemingway (1899–1961)

    I hold with the old-fashioned criticism that Browning is not really a poet, that he has all the gifts but the one needful and the pearls without the string; rather one should say raw nuggets and rough diamonds.
    Gerard Manley Hopkins (1844–1889)