History
Created as an alternative to commercial cinema, the annual week-long festival remains true to its original goal of promoting film as an art form. Its mission is to support and promote culture and the arts in Downtown Orlando through the medium of film. The Orlando Film Festival seeks to inspire student, future and current filmmakers in the art of filmmaking, and to enhance the movie viewing experience in Downtown Orlando through creative, unique and entertaining events. The Orlando Film Festival also fosters the growth of emerging and established film producers.
The festival is open to film of all lengths and genres, including experimental, narrative, animation, documentary, and genre hybrids. The festival’s mission is to provide a worldwide public forum for moving image exhibitions, to encourage and showcase artists of the moving image, to promote the moving image as art, and to offer educational outreach. The Orlando Film Festival has become one of the most active film organizations in the country championing artists' rights of expression and free speech. Past celebrity attendees are Marcia Gay Harden (2006), Joe Pantoliano (2007), Olympia Dukakis, and Haley Joel Osment & Alison Brie (2010).
The 2008 festival ran November 5–9, and opened with the an advance screening of the feature film Courting Condi. That film won the award for Best Performance. First prize for the Best Director category went to Jennifer Lynch, for her film Surveillance; second prize went to Sebastian Doggart for Courting Condi. The Best Documentary award went to Dear Zachary. First prize for Best Picture went to Contract Killers; second prize went to Courting Condi.
Read more about this topic: Orlando Film Festival
Famous quotes containing the word history:
“No event in American history is more misunderstood than the Vietnam War. It was misreported then, and it is misremembered now.”
—Richard M. Nixon (b. 1913)
“The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.”
—Camille Paglia (b. 1947)
“I am ashamed to see what a shallow village tale our so-called History is. How many times must we say Rome, and Paris, and Constantinople! What does Rome know of rat and lizard? What are Olympiads and Consulates to these neighboring systems of being? Nay, what food or experience or succor have they for the Esquimaux seal-hunter, or the Kanaka in his canoe, for the fisherman, the stevedore, the porter?”
—Ralph Waldo Emerson (1803–1882)