Drama
The traditional Oriya theatre is the folk opera, or Jatra, which flourishes in the rural areas of Odisha. Modern theatre is no longer commercially viable, but in the 1960 experimental theatre made a mark through the works of Manoranjan Das, who pioneered a new theatre movement with his brand of experimentalism. Bijay Mishra, Biswajit Das, Kartik Rath, Ramesh Prasad Panigrahi, Pramod Kumar Tripathy, Ratnakar Chaini, Ranjit Patnaik and Purna Chandra Mallick continued the tradition. Tripathy's contribution to the growth and development of the immensely popular and thought-provoking lok natakas is universally recognised and he is often called the Rousseau of lok natakas. Though there is no commercially viable modern Oriya theatre, there are amateur theatre groups and drama competitions. Operas, on the other hand, are commercially successful.
Read more about this topic: Oriya Literature
Famous quotes containing the word drama:
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)
“Show me one thing here on earth which has begun well and not ended badly. The proudest palpitations are engulfed in a sewer, where they cease throbbing, as though having reached their natural term: this downfall constitutes the heart’s drama and the negative meaning of history.”
—E.M. Cioran (b. 1911)
“Narrative prose is a legal wife, while drama is a posturing, boisterous, cheeky and wearisome mistress.”
—Anton Pavlovich Chekhov (1860–1904)