Drama
The traditional Oriya theatre is the folk opera, or Jatra, which flourishes in the rural areas of Odisha. Modern theatre is no longer commercially viable, but in the 1960 experimental theatre made a mark through the works of Manoranjan Das, who pioneered a new theatre movement with his brand of experimentalism. Bijay Mishra, Biswajit Das, Kartik Rath, Ramesh Prasad Panigrahi, Pramod Kumar Tripathy, Ratnakar Chaini, Ranjit Patnaik and Purna Chandra Mallick continued the tradition. Tripathy's contribution to the growth and development of the immensely popular and thought-provoking lok natakas is universally recognised and he is often called the Rousseau of lok natakas. Though there is no commercially viable modern Oriya theatre, there are amateur theatre groups and drama competitions. Operas, on the other hand, are commercially successful.
Read more about this topic: Oriya Literature
Famous quotes containing the word drama:
“Our true history is scarcely ever deciphered by others. The chief part of the drama is a monologue, or rather an intimate debate between God, our conscience, and ourselves. Tears, griefs, depressions, disappointments, irritations, good and evil thoughts, decisions, uncertainties, deliberations—all these belong to our secret, and are almost all incommunicable and intransmissible, even when we try to speak of them, and even when we write them down.”
—Henri-Frédéric Amiel (1821–1881)
“My faith is the grand drama of my life. I’m a believer, so I sing words of God to those who have no faith. I give bird songs to those who dwell in cities and have never heard them, make rhythms for those who know only military marches or jazz, and paint colours for those who see none.”
—Olivier Messiaen (1908–1992)
“To save the theatre, the theatre must be destroyed, the actors and actresses must all die of the plague. They poison the air, they make art impossible. It is not drama that they play, but pieces for the theatre. We should return to the Greeks, play in the open air; the drama dies of stalls and boxes and evening dress, and people who come to digest their dinner.”
—Eleonora Duse (1859–1924)