Drama
The traditional Oriya theatre is the folk opera, or Jatra, which flourishes in the rural areas of Odisha. Modern theatre is no longer commercially viable, but in the 1960 experimental theatre made a mark through the works of Manoranjan Das, who pioneered a new theatre movement with his brand of experimentalism. Bijay Mishra, Biswajit Das, Kartik Rath, Ramesh Prasad Panigrahi, Pramod Kumar Tripathy, Ratnakar Chaini, Ranjit Patnaik and Purna Chandra Mallick continued the tradition. Tripathy's contribution to the growth and development of the immensely popular and thought-provoking lok natakas is universally recognised and he is often called the Rousseau of lok natakas. Though there is no commercially viable modern Oriya theatre, there are amateur theatre groups and drama competitions. Operas, on the other hand, are commercially successful.
Read more about this topic: Oriya Literature
Famous quotes containing the word drama:
“My faith is the grand drama of my life. I’m a believer, so I sing words of God to those who have no faith. I give bird songs to those who dwell in cities and have never heard them, make rhythms for those who know only military marches or jazz, and paint colours for those who see none.”
—Olivier Messiaen (1908–1992)
“In a drama of the highest order there is little food for censure or hatred; it teaches rather self-knowledge and self- respect.”
—Percy Bysshe Shelley (1792–1822)
“Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man’s will and his environment: in a word, of problem.”
—George Bernard Shaw (1856–1950)