Orion Correlation Theory - History

History

The Orion correlation theory was first put forward by Robert Bauval in 1983. One night, while working in Saudi Arabia, he took his family and a friend's family up into the sand dunes of the Arabian desert for a camping expedition. His friend pointed out Orion, and mentioned that Mintaka, the smaller more westerly of the stars making up Orion's belt, was offset slightly from the others. Bauval then made a connection between the layout of the three main stars in Orion's belt and the layout of the three main pyramids in the Giza necropolis. He published this idea in 1989 in the journal Discussions in Egyptology, volume 13. The idea has been further expounded by Bauval in collaboration with Adrian Gilbert (The Orion Mystery, 1994) and Graham Hancock (Keeper of Genesis, 1996), as well as in their separate publications. The basis of this theory concerns the proposition that the relative positions of three main Ancient Egyptian pyramids on the Giza plateau are (by design) correlated with the relative positions of the three stars in the constellation of Orion which make up Orion's Belt— as these stars appeared 10,000 BC.

Their initial claims regarding the alignment of the Giza pyramids with Orion ("…the three pyramids were a terrestrial map of the three stars of Orion's belt"— Hancock's Fingerprints of the Gods, 1995, p. 375) are later joined with speculation about the age of the Great Sphinx (Hancock and Bauval, Keeper of Genesis, published 1996, and in 1997 in the U.S. as The Message of the Sphinx). According to these works, the Great Sphinx was constructed c. 10,500 BC (Upper Paleolithic), and its lion-shape is maintained to be a definitive reference to the constellation of Leo. Furthermore, the orientation and dispositions of the Sphinx, the Giza pyramids and the Nile River relative to one another on the ground is put forward as an accurate reflection or "map" of the constellations of Leo, Orion (specifically, Orion's Belt) and the Milky Way respectively. As Hancock puts it in 1998's The Mars Mystery (co-authored with Bauval):

...we have demonstrated with a substantial body of evidence that the pattern of stars that is "frozen" on the ground at Giza in the form of the three pyramids and the Sphinx represents the disposition of the constellations of Orion and Leo as they looked at the moment of sunrise on the spring equinox during the astronomical "Age of Leo" (i.e., the epoch in which the Sun was "housed" by Leo on the spring equinox.) Like all precessional ages this was a 2,160-year period. It is generally calculated to have fallen between the Gregorian calendar dates of 10,970 and 8810 BC. (op. cit., p.189)

The allusions to dates c. 12,500 years ago are significant to Hancock since this is the era he seeks to assign to the advanced progenitor civilization, now vanished, but which he contends through most of his works had existed and whose advanced technology influenced and shaped the development of the world's (known) civilizations of antiquity. Egyptology and archaeological science maintain that available evidence indicates that the Giza pyramids were constructed during the Fourth dynasty period (3rd millennium BC), while the exact date of the Great Sphinx is still unclear. Hancock does not dispute the dating evidence for the pyramids, but instead argues that they must have been planned with the knowledge of how the stars had appeared some eight thousand years before they were actually built —since the Orion correlation theory claims they are oriented that way— which,it is implied,provides further evidence for the influence of a technology and knowledge which would not have been available to the pyramids' builders.

Read more about this topic:  Orion Correlation Theory

Famous quotes containing the word history:

    All things are moral. That soul, which within us is a sentiment, outside of us is a law. We feel its inspiration; out there in history we can see its fatal strength.
    Ralph Waldo Emerson (1803–1882)

    What would we not give for some great poem to read now, which would be in harmony with the scenery,—for if men read aright, methinks they would never read anything but poems. No history nor philosophy can supply their place.
    Henry David Thoreau (1817–1862)

    The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.
    Camille Paglia (b. 1947)