History
Elijah Davidson discovered the Oregon Caves in 1874 while bear hunting near Sand Mountain (now renamed Mount Elijah after Davidson). While Native Americans may have known of the caves prior to Davidson’s discovery, no evidence of earlier exploration or use has been found. Thus, Davidson is credited with being the first person to enter the caves.
In 1907, Joaquin Miller visited the caves. After his visit, he wrote an article that highlighted the cave’s unique beauty. The article gave the caves nation-wide exposure. Under authority of the Antiquities Act of 1906, Federal Government ordered a site survey, which was completed in 1908. As a result, of the survey and continued advocacy from Miller and others prominent citizens, the Oregon Caves were designated as a National Monument by President William Howard Taft in 1909.
The United States Forest Service was given responsibility for the Oregon Caves National Monument in 1909. Due to the caves remote location the first permanent road to the site was not completed until 1922. In 1934, oversight of the monument passed to the National Park Service. Over the next nine years, the Park Service worked with the Civilian Conservation Corps to develop and landscape the Oregon Caves site to attain the look of a "rustic alpine village" nestled in a mountain canyon. The Park Service’s naturalistic design principles dictated the use of indigenous materials and rustic stone work. Every element was careful set in place to highlight the rugged character of the canyon. Cedar-bark sheathing was used as a unifying design element on all the buildings. While some changes have been made to the original structures, the buildings still retain their unique rustic character which is enhanced by the surrounding park landscape. In 1992, 60 acres (240,000 m2) of the Oregon Caves National Monument was listed as a historic district on the National Register of Historic Places.
Read more about this topic: Oregon Caves Historic District
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—Henry Ford (18631947)
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—Mason Cooley (b. 1927)
“There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.”
—Umberto Eco (b. 1932)