Orchestra Pit - Construction

Construction

In the pit, the walls are specially designed to provide the best possible acoustics, ensuring that the sound of the orchestra flows through the entire venue without overwhelming the performance on stage. Many orchestra pits are also designed to have reasonably low decibel levels, allowing musicians to work without fears of damaging their hearing. Typically, a small platform in the pit accommodates the conductor, so that he or she can be seen by all of the musicians, who may sit in chairs or on bleachers, depending on the design of the pit.

Most pits are designed as a hydraulic lift system that can be raised and lowered as needed. The lift can usually be lowered all the way to a storage space under the stage, or halfway to floor level, or all the way up level with the stage. When lowered all the way, the lift can be filled with equipment or props from underneath the stage and then raised and unloaded on stage. The pit can be raised so it is level with the floor of the audience seats to accommodate more seating area. This is common when the stage is being used for a rock show and then the pit area is used for standing room. When the pit is raised all the way up, level with the stage, it can be used as part of the stage to give more room for larger shows. Having a lift set up this way gives the theatre much more flexibility and ability to adapt to different events that occur in the theatre. It allows many different setups, each one personal to certain types of productions.

An orchestra pit doesn't have to be located directly in front of the stage, either, although many patrons expect to see the orchestra performing in front of the stage; when an orchestra pit is elsewhere in the theaters, the conductor's movements may be broadcast on monitors visible from the stage, so that the actors can follow cues.