Production
The story of Onibaba was inspired by the Shin Buddhist parable of yome-odoshi-no men (嫁おどしの面) (bride-scaring mask) or niku-zuki-no-men (肉付きの面) (mask with flesh attached), in which a mother used a mask to scare her daughter from going to the temple. She was punished by the mask sticking to her face, and when she begged to be allowed to remove it, she was able to take it off, but it took the flesh of her face with it.
The story takes place shortly after the Battle of Minatogawa which began a period of over 50 years of civil war, the Nanboku-chō period (1336 to 1392).
Kaneto Shindo wanted to film Onibaba in a field of susuki grass. He sent out assistant directors to find suitable locations. Once a location was found near a river bank at Inba-Numa in Chiba, they put up prefabricated buildings to live in. Filming started on 30 June 1964 and continued for three months.
They had a rule that if somebody left they would not get any pay, to keep the crew motivated to continue. Shindo included dramatized scenes of the dissatisfaction on the set as part of the 2000 film By Player.
To film night scenes inside the huts, they would put up screens to block the sun, and changing the shot would require setting the screens in a completely different spot.
Kaneto Shindo said that the effects of the mask on those who wear it are symbolic of the disfigurement of the victims of the Atomic bombings of Hiroshima and Nagasaki, the film reflecting the traumatic effect of this visitation on post-war Japanese society.
The film contains some sequences filmed in slow motion.
The scenes of the older woman descending in to the hole had to be shot using an artificial "hole" built above ground with scaffolding, since holes dug in the ground at the location site would immediately fill with water.
Read more about this topic: Onibaba (film)
Famous quotes containing the word production:
“Constant revolutionizing of production ... distinguish the bourgeois epoch from all earlier ones. All fixed, fast-frozen relations, with their train of ancient and venerable prejudices are swept away, all new-formed ones become antiquated before they can ossify. All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses, his real conditions of life, and his relations with his kind.”
—Karl Marx (1818–1883)
“The development of civilization and industry in general has always shown itself so active in the destruction of forests that everything that has been done for their conservation and production is completely insignificant in comparison.”
—Karl Marx (1818–1883)
“In the production of the necessaries of life Nature is ready enough to assist man.”
—Henry David Thoreau (1817–1862)