Character Descriptions
- Laxminarayan 1 (Tusshar Kapoor): He desperately needs to prove his killer instincts. But, much to his mother's despair, this wannabe Bhai always goofs up. It's his last chance to kill, but he ends up becoming the victim — of love!
- Laxminarayan 2 (Suniel Shetty): He's a loveable geek who takes pride in being accurate and detailed. He'll do anything to please the boss, including bearding a Don in his den. But when beaten up, burnt and tortured, even this ever affable soul wants to call it quits!
- Laxminarayan 3 (Paresh Rawal): All the Bhabhis and Behenjis of Delhi will vouch for his uncanny eye — just one look and he can gauge your innermost measurements. But then he comes across Laila who refuses to show him what he wants and blackmails him instead!
- Jiya (Esha Deol): Jiya is a talented lingerie designer who is desperate to strike a deal that will settle her debts with the lecherous Mende. Waiting for underwear expert Laxmi Narayan she falls for Bhai Laxmi Narayan — the man who's come to kill her.
- Laila (Sameera Reddy): Laila will do anything to save her glitzy auto showroom from being shut down by loan collectors. She will agree to strip or even try and sell off an old car till she discovers that the same car holds diamonds worth crores!
- Inspector Mayawati (Neetu Chandra): She's bright and alert and takes a fancy to Laxmi Narayan 2. She's on the lookout for criminals and diamond thieves, but finds herself chasing after not one, not two, but three Laxmi Narayans!
- Chandu & Chandni (Upen Patel & Tanisha): They work in the auto showroom and love in their spare time. They hide the diamonds in an ancient car they think nobody will ever buy but, to their dismay, their boss Laila is hell-bent on selling this car to save her garage.
Read more about this topic: One Two Three (2008 Film)
Famous quotes containing the words character and/or descriptions:
“To note an artist’s limitations is but to define his talent. A reporter can write equally well about everything that is presented to his view, but a creative writer can do his best only with what lies within the range and character of his deepest sympathies.”
—Willa Cather (1876–1947)
“Our Lamaze instructor . . . assured our class . . . that our cervix muscles would become “naturally numb” as they swelled and stretched, and deep breathing would turn the final explosions of pain into “manageable discomfort.” This descriptions turned out to be as accurate as, say a steward advising passengers aboard the Titanic to prepare for a brisk but bracing swim.”
—Mary Kay Blakely (20th century)