One Step Closer (Linkin Park Song) - Music Video

Music Video

Joe Hahn of Linkin Park came up with the concept for the video. The original version of the video was supposedly meant to be live footage of the band with fans (similar to their music video for "Faint").

The actual video was directed by Gregory Dark and shot in Los Angeles, sixty-three feet underground in an abandoned LA Subway tunnel, that is adjacent to an abandoned V.A. hospital. The video starts out with a group of teenage friends hanging out around a dark alley. Two of them (the male is played by local LA artist Tony Acosta who goes by the moniker "TonyMech") follow a strange man wearing a black hooded robe into a door which leads them to a dark, misty room where the band is playing. Monk-like men are performing martial arts moves throughout the video. Midway through the song, they knock over a crate, drawing the attention of the monk-like men, causing them to flee the tunnel. Eventually the strange man appears at the end of the video. While Bennington screams the songs bridge, he is also upside-down as if gravity is inverted for him.

"One Step Closer" is the only Linkin Park music video to be filmed with Standard Definition cameras, which can be seen in 480p and is available in the US exclusively on the Warner Bros. Records Youtube Channel.

Read more about this topic:  One Step Closer (Linkin Park Song)

Famous quotes containing the words music and/or video:

    The average educated man in America has about as much knowledge of what a political idea is as he has of the principles of counterpoint. Each is a thing used in politics or music which those fellows who practise politics or music manipulate somehow. Show him one and he will deny that it is politics at all. It must be corrupt or he will not recognize it. He has only seen dried figs. He has only thought dried thoughts. A live thought or a real idea is against the rules of his mind.
    John Jay Chapman (1862–1933)

    These people figured video was the Lord’s preferred means of communicating, the screen itself a kind of perpetually burning bush. “He’s in the de-tails,” Sublett had said once. “You gotta watch for Him close.”
    William Gibson (b. 1948)