Plot
The series features the exploits of irascible pensioner Victor Meldrew, who after being forced to retire from his job as a security guard, finds himself at war with the world and everything in it. Meldrew, cursed with misfortune and always complaining, is married to long-suffering wife Margaret, who is often left exasperated by his many misfortunes.
Amongst other witnesses to Victor's wrath are tactless family friend Jean Warboys, and next-door couple Patrick (Victor's nemesis) and Pippa Trench. Patrick often discovers Victor in inexplicably bizarre or compromising situations, leading him to believe that he is insane. The Meldrews' neighbour on the other side, overly cheery charity worker Nick Swainey, also adds to Victor's frustration.
Although set in a traditional suburban setting, the show subverts this genre with a strong overtone of black comedy. Season One's "The Valley Of Fear" is an episode which caused controversy, when Victor finds a frozen cat in his freezer. Writer David Renwick also combined farce with elements of tragedy. For example in the final episode, Victor is killed by a hit-and-run driver, and although there is no explicit reference that Victor and Margaret had children, the episode "Timeless Time" contained a reference to someone named Stuart; the strong implication being that they once had a son who had died as a child.
A number of episodes were also experimental in that they took place entirely in one setting. Such episodes include: Victor, Margaret, and Mrs Warboys stuck in a traffic jam; Victor and Margaret in bed suffering insomnia; Victor left alone in the house waiting to see if he has to take part in jury service; Victor and Margaret having a long wait in their solicitor's waiting room; and Victor and Margaret trying to cope during a power cut on the hottest night of the year.
Read more about this topic: One Foot In The Grave
Famous quotes containing the word plot:
“Morality for the novelist is expressed not so much in the choice of subject matter as in the plot of the narrative, which is perhaps why in our morally bewildered time novelists have often been timid about plot.”
—Jane Rule (b. 1931)
“There comes a time in every man’s education when he arrives at the conviction that envy is ignorance; that imitation is suicide; that he must take himself for better for worse as his portion; that though the wide universe is full of good, no kernel of nourishing corn can come to him but through his toil bestowed on that plot of ground which is given him to till.”
—Ralph Waldo Emerson (1803–1882)
“The plot was most interesting. It belonged to no particular age, people, or country, and was perhaps the more delightful on that account, as nobody’s previous information could afford the remotest glimmering of what would ever come of it.”
—Charles Dickens (1812–1870)