The Music
Since the original 1958 production of the ballet, the score has been published as a standalone work, and has been used for other dance productions, which have also used the title Undine.
The score is constructed with the certainty of technical accomplishment and inlaid with a lyricism that emanated from his experience of Italian life and Mediterranean colour. The score combines various genres, including the neo-classicism from his early years. This combination of the genres of early German Romanticism and the Neo-Classicism of Stravinsky gives the score a 'modern' sound "automatically made it anathema to the avant-garde of the 1950s". Therefore, the music was often seen as revolutionary and not suited to ballet.
Read more about this topic: Ondine (ballet)
Famous quotes containing the word music:
“As if, as if, as if the disparate halves
Of things were waiting in a betrothal known
To none, awaiting espousal to the sound
Of right joining, a music of ideas, the burning
And breeding and bearing birth of harmony,
The final relation, the marriage of the rest.”
—Wallace Stevens (1879–1955)
“I’ve come close to matching the feeling of that night in 1944 in music, when I first heard Diz and Bird, but I’ve never got there.... I’m always looking for it, listening and feeling for it, though, trying to always feel it in and through the music I play every day.”
—Miles Davis (1926–1991)