The Music
Since the original 1958 production of the ballet, the score has been published as a standalone work, and has been used for other dance productions, which have also used the title Undine.
The score is constructed with the certainty of technical accomplishment and inlaid with a lyricism that emanated from his experience of Italian life and Mediterranean colour. The score combines various genres, including the neo-classicism from his early years. This combination of the genres of early German Romanticism and the Neo-Classicism of Stravinsky gives the score a 'modern' sound "automatically made it anathema to the avant-garde of the 1950s". Therefore, the music was often seen as revolutionary and not suited to ballet.
Read more about this topic: Ondine (ballet)
Famous quotes containing the word music:
“But the dark changed to red, and torches shone,
And deafening music shook the leaves; a troop
Shouldered a litter with a wounded man,
Or smote upon the string and to the sound
Sang of the beast that gave the fatal wound.”
—William Butler Yeats (1865–1939)
“The further jazz moves away from the stark blue continuum and the collective realities of Afro-American and American life, the more it moves into academic concert-hall lifelessness, which can be replicated by any middle class showing off its music lessons.”
—Imamu Amiri Baraka (b. 1934)