The Music
Since the original 1958 production of the ballet, the score has been published as a standalone work, and has been used for other dance productions, which have also used the title Undine.
The score is constructed with the certainty of technical accomplishment and inlaid with a lyricism that emanated from his experience of Italian life and Mediterranean colour. The score combines various genres, including the neo-classicism from his early years. This combination of the genres of early German Romanticism and the Neo-Classicism of Stravinsky gives the score a 'modern' sound "automatically made it anathema to the avant-garde of the 1950s". Therefore, the music was often seen as revolutionary and not suited to ballet.
Read more about this topic: Ondine (ballet)
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—Mark Twain [Samuel Langhorne Clemens] (1835–1910)
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