History
The three act ballet of Ondine was commissioned and produced for The Royal Ballet in 1958 by the choreographer Sir Frederick Ashton. The resulting ballet was a collaboration between Ashton and the German composer Hans Werner Henze, who was commissioned to write the score. It is the only ballet that Ashton choreographed to original music, and the score is regarded as a rarity by musicians, as it is a "20th century full-length ballet score that has the depth of a masterwork".
The ballet was originally intended as a vehicle for The Royal Ballet's then Prima Ballerina, Margot Fonteyn and the title role of Ondine was choreographed specially for her and led one critic to describe the ballet as 'a concerto for Fonteyn'. From its première in 1958 until the work was removed from the repertoire in 1966, nearly every performance of Ondine saw Fonteyn cast in the lead role, with the only occasional exceptions seeing Nadia Nerina and Svetlana Beriosova dancing the role. Maria Almeida became the first ballerina to dance the role of Ondine in a revival, with Anthony Dowell dancing the role of Palemon. Staged in 1988, the revival was a success and the ballet has been regularly performed ever since.
Read more about this topic: Ondine (ballet)
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