On The Peace - The Speech

The Speech

The real subject of the oration is not peace, but the legitimation of Philip's participation in the Amphictyonic League. Ecclesia convened in order to take the final decision and Demosthenes was among those who expressed their opinion. He first argues that the current situation is unpleasant for the Athenians because of their own negligence (par. 1-3). He then refers to previous misjudgments of his countrymen (4-12) and asserts that Athens must avoid a war that would unify against it all the Greek cities (13-14) He argues that, if they do not recognize the new status quo in the Council of the League, they will cause a rift with the other members of the League (18-19). In order to convince ecclesia, he reminds his countrymen of the fact that in the past Philip had efficiently exploited Thebes' and Thessaly's interests, in order to use them for his own purposes. He is thus capable of repeating such a plot (20-23). Finally, the orator enumerates Athens' sacrifices for the sake of peace and argues that it would be unintelligent to break the peace because of the incident in Delphi. Nonetheless, he underscores that they must not accept any further concession to Philip (24-25).

According to A. W.Pickard, the Assembly were persuaded to give way. To have refused would have brought the united forces of the Amphictyonic States against Athens: and these she could not have resisted. It was therefore prudent to keep the peace, though Demosthenes evidently regarded it only as an armistice. A. Galinos regards Demosthenes' oration as model of the art of diplomacy and emphasizes on the pain and the psychological pressure Demosthenes must have suffered, arguing in favor of Philip's demands.

Read more about this topic:  On The Peace

Famous quotes containing the word speech:

    Money clarifies one’s speech greatly, while no one listens to the poor.
    Chinese proverb.

    What of the heart without her? Nay, poor heart,
    Of thee what word remains ere speech be still?
    A wayfarer by barren ways and chill,
    Steep ways and weary, without her thou art,
    Where the long cloud, the long wood’s counterpart,
    Sheds doubled darkness up the labouring hill.
    Dante Gabriel Rossetti (1828–1882)