Olsen and Johnson - Films

Films

  • Oh Sailor Behave! (Warner Brothers, 1930) (68 minutes)
  • Fifty Million Frenchmen (Warner Brothers, 1931) (68 minutes)
  • Gold Dust Gertie (Warner Brothers, 1931) (66 minutes)
  • Country Gentlemen (Republic, 1936) (66 minutes)
  • Cinema Circus (Metro-Goldwyn-Mayer, 1936) (Technicolor short subject, 20 minutes)
  • All Over Town (Republic, 1937) (58 minutes)
  • Boy Friend (20th Century Fox, 1939 (70 minutes) (Ole Olsen appeared in uncredited role as a taxi driver)
  • Hellzapoppin' (Universal, 1941) (84 minutes) (with Shemp Howard)
  • Crazy House (Universal, 1943) (80 minutes) (with Percy Kilbride) (sequel to Hellzapoppin')
  • Ghost Catchers (Universal, 1944) (67 minutes) (with Gloria Jean)
  • See My Lawyer (Universal, 1945) (67 minutes) (with Stanley Clements)
  • Johnny at the Fair (Sterling, 1947) (short subject, 12 minutes)

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Famous quotes containing the word films:

    Television does not dominate or insist, as movies do. It is not sensational, but taken for granted. Insistence would destroy it, for its message is so dire that it relies on being the background drone that counters silence. For most of us, it is something turned on and off as we would the light. It is a service, not a luxury or a thing of choice.
    David Thomson, U.S. film historian. America in the Dark: The Impact of Hollywood Films on American Culture, ch. 8, William Morrow (1977)

    The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.
    Jean-Luc Godard (b. 1930)

    Does art reflect life? In movies, yes. Because more than any other art form, films have been a mirror held up to society’s porous face.
    Marjorie Rosen (b. 1942)