Style
During this period of time Vassiliev developed his mature style. In his art Vassiliev combines the traditions of Russian Realism of the 19th century with the Russian avant-garde of the beginning of the 20th century. "Vassiliev’s principal themes, which were born while he was in Russia and continue to the present day, are his memories of home and houses, roads, forests, fields, friends and family. Vassiliev always starts his creative process from a very personal memory, from his sacred space, the safeguarded inner center, and connects it with the visual image. Vassiliev masterfully incorporates elements from different times and spaces and arranges them throughout his paintings according to the logic and 'energetic' space of the painting."
"Leading Soviet graphic artist Vladimir Favorsky was a major influence on Vassiliev's work. Favorsky emphasised the constructive qualities of image-making, understanding painting as a rhythmic organisation of space swirling about time. Such abstract aesthetic thought was alien to mainstream Soviet Realism and demonstrates the liberties afforded graphic designers during this period. With a preoccupation for the structural qualities of a composition, these aesthetics also find their origin in Russian Constructivism of the 1920s.
"...Vassiliev's recurring preoccupation with light and shade in his oeuvre also points to a psychological dimension, with light symbolising consciousness and dark, the subconscious. Elements of German Romanticism influence his thought. He searches for answers in an unfathomable world, posing questions without obvious answers and leaving the viewer feeling nonplussed, a hallmark of Postmodernist art...."
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Famous quotes containing the word style:
“One man’s style must not be the rule of another’s.”
—Jane Austen (1775–1817)
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—Dame Ethel Smyth (1858–1944)
“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”
—Cyril Connolly (1903–1974)