Old Faithful Inn - Design

Design

The inn's architect was 29-year-old Robert Reamer, an architect for the Yellowstone Park Company, which was affiliated with the Great Northern Railway. Reamer was hired by Harry W. Child, the president of the Yellowstone Park Company, who had met Reamer in San Diego through mutual acquaintances. Reamer designed the lobby and the initial phase of guest rooms, known as the Old House, which was built in 1903-1904, much of it in the long winter. The east wing was extended in 1913-14, and the east wing in 1927, creating a single structure almost 700 feet (210 m) long. The Old House is rotated 90 degrees with respect to Old Faithful so that a view of the geyser is framed by the entrance porch for arriving visitors. The porch roof provides a viewing platform for viewing eruptions of Old Faithful and other geysers, while the main facade faces Geyser Hill across the Firehole River, where the old Circuit Road once ran through the geyser basin.

The central feature of the Old House is a tall gabled log structure housing the lobby, dominated by a deep, steeply-pitching shingled roof. The Old House uses load-bearing log lower exterior walls with a log pole interior framework supporting seven stories, six of which are the roof structure. The upper gable walls are of milled lumber framing with shingle sheathing. The front slope of the shingled roof is accented by shed and gabled dormers, some of which are purely decorative. Both interior and exterior framing is supported by twisted or curved branches, giving the entire structure a strongly rustic air. There are two levels of balconies, the lower encircling the lobby and the upper on two sides. Stairs climb from the second balcony to a platform in the framing known as the "crow's nest" which once was used by musicians to entertain guests, then on to the crown of the gable 92 feet (28 m) above the lobby floor. The entire structure is crowned by a roof walk that once held searchlights to illuminate the geyser at night. The original guest wings are 3-1/2 stories tall on either side of the lobby. It is anchored to the ground by a rhyolite foundation that extends to the first floor window sills.

Offset to the southeast corner, the stone fireplace measures 16 feet (4.9 m) square at the base. It features four main hearths, one on each face, with smaller hearths, each with a flue, at the corners. The stone extends to the roof, and until it was damaged by earthquake, a brick flue extended above the roof, covered in log cribbing. An ironwork clock decorates the north face of the upper chimney in the lobby. The fireplace is centered in a shallow depression in the lobby floor that sets the area around its hearths apart from the rest of the lobby. Custom ironwork, most notable in the main entrance door and the clock, was forged at the site by an ironmonger named Colpitts.

The dining room extends to the south of the lobby, with log scissors trusses supporting a more shallowly-pitched roof at right angles to the lobby roof. The dining room has its own stone fireplace, less massive than the lobby's, but still large. The Old House guest rooms retain much of their original character.

The east and west wings were purposely designed by Reamer to be less prominent than the central house. The wings are three to four stories in height with a mansarded top floor and a flat roof. The east wing is straight, originally with 100 rooms. The west wing is Y-shaped, with 150 guest rooms as built. The interiors of the wings are unremarkable compared with the Old House.

Read more about this topic:  Old Faithful Inn

Famous quotes containing the word design:

    To nourish children and raise them against odds is in any time, any place, more valuable than to fix bolts in cars or design nuclear weapons.
    Marilyn French (20th century)

    Westerners inherit
    A design for living
    Deeper into matter—
    Not without due patter
    Of a great misgiving.
    Robert Frost (1874–1963)

    With wonderful art he grinds into paint for his picture all his moods and experiences, so that all his forces may be brought to the encounter. Apparently writing without a particular design or responsibility, setting down his soliloquies from time to time, taking advantage of all his humors, when at length the hour comes to declare himself, he puts down in plain English, without quotation marks, what he, Thomas Carlyle, is ready to defend in the face of the world.
    Henry David Thoreau (1817–1862)