Offenbach Am Main - History

History

The first documented reference to Offenbach appears in 770. During the Middle Ages Offenbach passed through many hands. Only in 1486 could the Count Ludwig of Isenenburg finally take control of city for his family, and 1556 Count Reinhard of Isenburg relocated his Residence to Offenbach, building a palace, the Isenburger Schloß (Isenburg Palace), which was completed in 1559. It was destroyed by fire in 1564 and rebuilt in 1578.

In 1635 Offenbach given to the Landgraves of Hesse-Darmstadt but it was returned to the Isenburg-Birstein Count (later Prince) in 1642 and remained in that Principality until 1815 when the Congress of Vienna gave the city to the Austrian Emperor, Francis II, Holy Roman Emperor. A year later it was given to the Grand Duchy of Hesse-Darmstadt.

Always very close to the city centre of Frankfurt, Offenbach was a popular location for business. The town has its own trade fair, and many companies have opened facilities here because there are fewer restrictions and no closed businesses. French Protestants (Huguenots) came in the 17th century and settled in Offenbach and contributed to making Offenbach a prosperous city, e.g., bringing knowledge of tobacco with them and turning Offenbach into a centre for rolling cigars. The town was more cosmopolitan than Frankfurt; famous people such as Goethe and Mozart visited it several times.

The Rumpenheim Palace and its park was a popular destination for monarchs in the 19th century. The city was thereafter ruled by Grand Dukes of Hesse and by Rhine until the monarchy was abolished in 1918.

During the Second World War a third of the city was destroyed by Allied bombing, which claimed 467 lives. With the new district Lauterborn the city was expanded to the south in the 1960s. On the border with Frankfurt, the office district Kaiserlei was built.

Read more about this topic:  Offenbach Am Main

Famous quotes containing the word history:

    The history of persecution is a history of endeavors to cheat nature, to make water run up hill, to twist a rope of sand.
    Ralph Waldo Emerson (1803–1882)

    Those who weep for the happy periods which they encounter in history acknowledge what they want; not the alleviation but the silencing of misery.
    Albert Camus (1913–1960)

    The visual is sorely undervalued in modern scholarship. Art history has attained only a fraction of the conceptual sophistication of literary criticism.... Drunk with self-love, criticism has hugely overestimated the centrality of language to western culture. It has failed to see the electrifying sign language of images.
    Camille Paglia (b. 1947)