History
The Off-Off-Broadway movement began in 1958 as a reaction to Off-Broadway, and a "complete rejection of commercial theatre". Among the first venues for what would soon be called "Off-Off-Broadway" were coffeehouses in Greenwich Village, particularly the Caffe Cino at 31 Cornelia Street, operated by the eccentric Joe Cino, who early on took a liking to actors and playwrights and agreed to let them stage plays there without bothering to read the plays first, or to even find out much about the content. Also integral to the rise of Off-Off-Broadway were Ellen Stewart at La MaMa, and Al Carmines at the Judson Poets' Theater, located at Judson Memorial Church. Another name worthy of mention is the Nuyorican Poets Café founded by Puerto Rican playwright Miguel Algarín in the mid 1970's.
An Off-Off-Broadway production that features members of Actors Equity is, of necessity, called an Equity Showcase production; not all Off-Off-Broadway shows are Equity Showcases. The Union maintains very strict rules about working in such productions, including restrictions on price, the length of the run and rehearsal times. Professional actors' participation in showcase productions is frequent and comprises the bulk of stage work for the majority of New York actors. There has been an ongoing movement to revise the Equity Showcase rules, which many in the community find overly restrictive and detrimental to the creation of New York theatre.
The term indie theatre, or independent theatre, coined by playwright Kirk Bromley has been suggested to replace Off-Off-Broadway as a term.
Read more about this topic: Off-Off Broadway
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“Let it suffice that in the light of these two facts, namely, that the mind is One, and that nature is its correlative, history is to be read and written.”
—Ralph Waldo Emerson (1803–1882)
“History is the present. That’s why every generation writes it anew. But what most people think of as history is its end product, myth.”
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