Of Hands and Hearts: Music for the Tsunami Disaster Fund is a 2005 compilation album. The compilation was released in response to the 2004 Southeast Asia tsunami crisis. The title for the compilation is explained in the liner notes that executive producer Stephen Schnee's father, Duane John Schnee, "whose two and a half year battle with cancer has proven that with strength (hands) and love (hearts), we can face any tragedy together."
Also, according to the liner notes, executive producer Stephen Schnee wrote that this compilation album is "Dedicated to those who lost their lives on 12-26-04, and the families and loved ones they left behind. I was stunned to think that humanity had lost nearly 300,000 fathers, mothers, daughters and sons – people who were changing and shaping their own world. But in their passing, they changed and shaped everyone's world."
Of the 49 songs on the compilation, 18 had never been released before prior to the release of this compilation, and 8 had never been released in the U.S. prior to the release of this compilation. Of the 49 artists who contributed a song to the compilation, 32 are from the U.S.A., 8 are from the U.K., 3 are from Australia, 2 are from Scotland, 1 is from Italy, 1 is from Japan, and 1 is from Russia. Only R. Stevie Moore with Dave Gregory represent two different countries together (the former represents the U.S.A. and the latter represents the U.K., respectively).
Read more about Of Hands And Hearts: Music For The Tsunami Disaster Fund: Credits
Famous quotes containing the words hands, music, disaster and/or fund:
“Thus when I come to shape here at this table between my hands the story of my life and set it before you as a complete thing, I have to recall things gone far, gone deep, sunk into this life or that and become part of it; dreams, too, things surrounding me, and the inmates, those old half-articulate ghosts who keep up their hauntings by day and night ... shadows of people one might have been; unborn selves.”
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“I cannot say what poetry is; I know that our sufferings and our concentrated joy, our states of plunging far and dark and turning to come back to the world—so that the moment of intense turning seems still and universal—all are here, in a music like the music of our time, like the hero and like the anonymous forgotten; and there is an exchange here in which our lives are met, and created.”
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“It was so long since I’d seen masses of young men that I’d forgotten how much pleasanter men of between twenty and thirty were to be around with than older men. It isnt so true of women. When I was in my twenties I thought the grown adults I ran into were a disaster and now I know I was right.”
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