Composition
"Oceans" was performed in open D tuning. The song is musically and texturally different from the rest of the album. Ament said, "When we were picking songs for Ten we thought it was important to pick the weirder moments, like "Oceans", because we wanted to be able to explore those areas down the line."
Gossard on the song:
I love "Oceans". That probably sums up why I get excited about song writing. It's like open D tuning where the first chord's just straight across and it's just two fingers that come on and off to create the whole thing and then it moves down one position and it moves back up. It has a tiny little change in it but it's also got three big movements. What I love about music is aesthetic chords; the simpler the better and then another set that does something to those original chords. It's a really simple arrangement.
Read more about this topic: Oceans (Pearl Jam Song)
Famous quotes containing the word composition:
“There was not a grain of poetry in the whole composition of Lord Fawn, and poetry was what her very soul craved;Mpoetry, together with houses, champagne, jewels, and admiration.”
—Anthony Trollope (1815–1882)
“Give a scientist a problem and he will probably provide a solution; historians and sociologists, by contrast, can offer only opinions. Ask a dozen chemists the composition of an organic compound such as methane, and within a short time all twelve will have come up with the same solution of CH4. Ask, however, a dozen economists or sociologists to provide policies to reduce unemployment or the level of crime and twelve widely differing opinions are likely to be offered.”
—Derek Gjertsen, British scientist, author. Science and Philosophy: Past and Present, ch. 3, Penguin (1989)
“Since body and soul are radically different from one another and belong to different worlds, the destruction of the body cannot mean the destruction of the soul, any more than a musical composition can be destroyed when the instrument is destroyed.”
—Oscar Cullman. Immortality of the Soul or Resurrection of the Dead? The Witness of the New Testament, ch. 1, Epworth Press (1958)