Observable Universe - Mass

Mass

Some care is required in defining what is meant by the total mass of the observable universe. In relativity, mass and energy are equivalent, and energy can take on a variety of forms, including energy that is associated with the curvature of spacetime itself, not with its contents such as atoms and photons. Defining the total energy of a large region of curved spacetime is problematic because there is no single agreed-upon way to define the energy due to gravity (the energy associated with spacetime curvature); for example, when photons are redshifted due to the expansion of the universe, they lose energy, and some physicists would say the energy has been converted to gravitational energy while others would say the energy has simply been lost. One can, however, derive an order-of-magnitude estimate of the mass due to sources other than gravity, namely visible matter, dark matter and dark energy, based on the volume of the observable universe and the mean density.

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Famous quotes containing the word mass:

    “Life is a series of diminishments. Each cessation of an activity either from choice or some other variety of infirmity is a death, a putting to final rest. Each loss, of friend or precious enemy, can be equated with the closing off of a room containing blocks of nerves ... and soon after the closing off the nerves atrophy and that part of oneself, in essence, drops away. The self is lightened, is held on earth by a gram less of mass and will.”
    —Coleman Dowell (1925–1985)

    “In really hard times the rules of the game are altered. The inchoate mass begins to stir. It becomes potent, and when it strikes,... it strikes with incredible emphasis. Those are the rare occasions when a national will emerges from the scattered, specialized, or indifferent blocs of voters who ordinarily elect the politicians. Those are for good or evil the great occasions in a nation’s history.”
    —Walter Lippmann (1889–1974)

    “At first, he savored only the material quality of the sounds secreted by the instruments. And it had already been a great pleasure when, beneath the tiny line of the violin, slender, resistant, dense and driving, he noticed the mass of the piano’s part seeking to arise in a liquid splashing, polymorphous, undivided, level and clashing like the purple commotion of wave charmed and flattened by the moonlight.”
    —Marcel Proust (1871–1922)