National Romantic Period
By the late 19th century, in a flood of nationalistic romanticism, the great four emerged, Henrik Ibsen, Bjørnstjerne Bjørnson, Alexander Kielland, and Jonas Lie. A unity of purpose pervades the whole period, creation of a national culture based on the almost forgotten and certainly neglected past, as well as celebration of the Bonde Kultur or Norwegian farm culture. The realism of Kielland (e.g., Skipper Worse) gave way to the romantic and nationalistic spirit which swept Europe rekindled and the Norwegian interest in their glorious Viking past (e.g., Ibsen's The Vikings at Helgeland), the struggles of the Middle Ages (e.g., Ibsen's Lady Inger of Østeraad), peasant stories (e.g., Bjørnson's A Happy Boy) and the wonders of myths and folks tales of the mountains (e.g., Ibsen's Peer Gynt) and the sea (e.g., Lie's The Visionary).
Read more about this topic: Norwegian Literature
Famous quotes containing the words national, romantic and/or period:
“This is the first national administration we’ve ever seen where the housewife couldn’t afford to buy groceries and the farmer couldn’t afford to grow them.”
—Jimmy Carter (James Earl Carter, Jr.)
“I have often been downcast, but never in despair; I regard our hiding as a dangerous adventure, romantic and interesting at the same time. In my diary I treat all the privations as amusing. I have made up my mind now to lead a different life from other girls and, later on, different from ordinary housewives. My start has been so very full of interest, and that is the sole reason why I have to laugh at the humorous side of the most dangerous moments.”
—Anne Frank (1929–1945)
“His singing carried me back to the period of the discovery of America ... when Europeans first encountered the simple faith of the Indian. There was, indeed, a beautiful simplicity about it; nothing of the dark and savage, only the mild and infantile. The sentiments of humility and reverence chiefly were expressed.”
—Henry David Thoreau (1817–1862)